{"id":250,"date":"2013-05-22T20:37:47","date_gmt":"2013-05-22T20:37:47","guid":{"rendered":"https:\/\/www.gregorpodnar.com\/cms\/?page_id=250"},"modified":"2024-05-24T13:23:24","modified_gmt":"2024-05-24T12:23:24","slug":"tobias-putrih","status":"publish","type":"page","link":"https:\/\/www.gregorpodnar.com\/cms\/tobias-putrih\/","title":{"rendered":"Tobias Putrih"},"content":{"rendered":"<style>#jtg-12049 .modula-item .jtg-social a, .lightbox-socials.jtg-social a{ fill: #ffffff; color: #ffffff }#jtg-12049 .modula-item .jtg-social-mobile a{ fill: #ffffff; color: #ffffff }#jtg-12049 .modula-item .jtg-social svg, .lightbox-socials.jtg-social svg { height: 16px; width: 16px }#jtg-12049 .modula-item .jtg-social-mobile svg { height: 16px; width: 16px }#jtg-12049 .modula-item .jtg-social a:not(:last-child), .lightbox-socials.jtg-social a:not(:last-child) { margin-right: 10px }#jtg-12049 .modula-item .jtg-social-mobile .jtg-social-mobile-icons a:not(:last-child){ margin-right: 10px }#jtg-12049 .modula-item .figc {}#jtg-12049 .modula-item .modula-item-content { transform: scale(1) }#jtg-12049 .modula-items .figc p.description { color:;}#jtg-12049.modula-gallery .modula-item > a, #jtg-12049.modula-gallery .modula-item, #jtg-12049.modula-gallery .modula-item-content > a:not(.modula-no-follow) { cursor:zoom-in; } #jtg-12049.modula-gallery .modula-item-content .modula-no-follow { cursor: default; } @media screen and (max-width:480px){#jtg-12049 .modula-item .figc .jtg-title {  font-size: 12px; }#jtg-12049 .modula-items .figc p.description { color:;font-size:0px; }}<\/style>\n<!-- Gallery Container -->\n<div  id=\"jtg-12049\" class=\"modula modula-gallery modula-custom-grid\" data-config=\"{&quot;height&quot;:0,&quot;tabletHeight&quot;:0,&quot;mobileHeight&quot;:0,&quot;desktopHeight&quot;:0,&quot;enableTwitter&quot;:false,&quot;enableWhatsapp&quot;:false,&quot;enableFacebook&quot;:false,&quot;enablePinterest&quot;:false,&quot;enableLinkedin&quot;:false,&quot;enableEmail&quot;:false,&quot;randomFactor&quot;:0,&quot;type&quot;:&quot;custom-grid&quot;,&quot;columns&quot;:12,&quot;gutter&quot;:10,&quot;mobileGutter&quot;:10,&quot;tabletGutter&quot;:10,&quot;desktopGutter&quot;:10,&quot;enableResponsive&quot;:&quot;0&quot;,&quot;tabletColumns&quot;:&quot;2&quot;,&quot;mobileColumns&quot;:&quot;1&quot;,&quot;lazyLoad&quot;:&quot;1&quot;,&quot;lightboxOpts&quot;:{&quot;animated&quot;:true,&quot;Thumbs&quot;:{&quot;type&quot;:&quot;modern&quot;,&quot;showOnStart&quot;:false},&quot;Toolbar&quot;:{&quot;display&quot;:{&quot;right&quot;:[&quot;close&quot;]},&quot;enabled&quot;:true},&quot;Carousel&quot;:{&quot;Panzoom&quot;:{&quot;touch&quot;:false},&quot;infinite&quot;:false},&quot;keyboard&quot;:{&quot;Escape&quot;:&quot;close&quot;,&quot;Delete&quot;:&quot;close&quot;,&quot;Backspace&quot;:&quot;close&quot;,&quot;PageUp&quot;:false,&quot;PageDown&quot;:false,&quot;ArrowUp&quot;:false,&quot;ArrowDown&quot;:false,&quot;ArrowRight&quot;:false,&quot;ArrowLeft&quot;:false},&quot;touch&quot;:false,&quot;backdropClick&quot;:false,&quot;l10n&quot;:{&quot;CLOSE&quot;:&quot;Close&quot;,&quot;NEXT&quot;:&quot;Next&quot;,&quot;PREV&quot;:&quot;Previous&quot;,&quot;Error&quot;:&quot;The requested content cannot be loaded. 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Marcus Schneider\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/PUTRIH-Tobias_Fovea_2021_3D-printed-ABS-plastics_approx.-200x80x80cm_ph.-Marcus-Schneider_1.jpg 1319w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/PUTRIH-Tobias_Fovea_2021_3D-printed-ABS-plastics_approx.-200x80x80cm_ph.-Marcus-Schneider_1-198x300.jpg 198w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/PUTRIH-Tobias_Fovea_2021_3D-printed-ABS-plastics_approx.-200x80x80cm_ph.-Marcus-Schneider_1-675x1024.jpg 675w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/PUTRIH-Tobias_Fovea_2021_3D-printed-ABS-plastics_approx.-200x80x80cm_ph.-Marcus-Schneider_1-768x1165.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/PUTRIH-Tobias_Fovea_2021_3D-printed-ABS-plastics_approx.-200x80x80cm_ph.-Marcus-Schneider_1-1013x1536.jpg 1013w, 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loading=\"lazy\" class=\"pic wp-image-12055 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/DSC6778_crop_ok.jpg\" title=\"_DSC6778_crop_ok\" width=\"300\" height=\"281\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/DSC6778_crop_ok-300x281.jpg\" data-caption=\"Tobias Putrih, Times, 2015\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/DSC6778_crop_ok.jpg 2000w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/DSC6778_crop_ok-300x281.jpg 300w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/DSC6778_crop_ok-1024x959.jpg 1024w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/DSC6778_crop_ok-768x719.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/DSC6778_crop_ok-1536x1438.jpg 1536w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/DSC6778_crop_ok-624x584.jpg 624w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" data-width=\"2\" data-height=\"2\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t\t\t\n\t\t\t\t\t<a data-image-id=\"12050\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-12049\" data-caption=\"Tobias Putrih, G1 modelx, archival ink on paper,128x128cm, 150x150cm (framed), 2022\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12050 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/G1_modelx_v0_B2-archival-ink-on-paper128x128cm-150x150cm-framed-2022.jpg\" title=\"G1_modelx_v0_B2, archival ink on paper,128x128cm, 150x150cm (framed), 2022\" width=\"300\" height=\"300\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/G1_modelx_v0_B2-archival-ink-on-paper128x128cm-150x150cm-framed-2022-300x300.jpg\" data-caption=\"Tobias Putrih, G1 modelx, archival ink on paper,128x128cm, 150x150cm (framed), 2022\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/G1_modelx_v0_B2-archival-ink-on-paper128x128cm-150x150cm-framed-2022.jpg 2240w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/G1_modelx_v0_B2-archival-ink-on-paper128x128cm-150x150cm-framed-2022-300x300.jpg 300w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/G1_modelx_v0_B2-archival-ink-on-paper128x128cm-150x150cm-framed-2022-1024x1024.jpg 1024w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/G1_modelx_v0_B2-archival-ink-on-paper128x128cm-150x150cm-framed-2022-150x150.jpg 150w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/G1_modelx_v0_B2-archival-ink-on-paper128x128cm-150x150cm-framed-2022-768x768.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/G1_modelx_v0_B2-archival-ink-on-paper128x128cm-150x150cm-framed-2022-1536x1536.jpg 1536w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/G1_modelx_v0_B2-archival-ink-on-paper128x128cm-150x150cm-framed-2022-2048x2048.jpg 2048w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/G1_modelx_v0_B2-archival-ink-on-paper128x128cm-150x150cm-framed-2022-624x624.jpg 624w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" data-width=\"2\" data-height=\"2\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t\t\t\n\t\t\t\t\t<a data-image-id=\"12062\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-12049\" data-caption=\"Tobias Putrih, Model for Cinematography \/ 2.5 2008, Wood, cotton string, glue, 149 x 131 x 28,2 cm\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12062 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Model-for-Cinematography-24_NOT-OURS.jpg\" title=\"Putrih 2.4 002\" width=\"300\" height=\"295\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Model-for-Cinematography-24_NOT-OURS-300x295.jpg\" data-caption=\"Tobias Putrih, Model for Cinematography \/ 2.5 2008, Wood, cotton string, glue, 149 x 131 x 28,2 cm\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Model-for-Cinematography-24_NOT-OURS.jpg 2162w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Model-for-Cinematography-24_NOT-OURS-300x295.jpg 300w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Model-for-Cinematography-24_NOT-OURS-1024x1007.jpg 1024w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Model-for-Cinematography-24_NOT-OURS-768x755.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Model-for-Cinematography-24_NOT-OURS-1536x1510.jpg 1536w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Model-for-Cinematography-24_NOT-OURS-2048x2014.jpg 2048w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Model-for-Cinematography-24_NOT-OURS-624x614.jpg 624w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" data-width=\"2\" data-height=\"2\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t\t\t\n\t\t\t\t\t<a data-image-id=\"12052\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-12049\" data-caption=\"Tobias Putrih, Macula Series PZ\/2, 2014, Cardboard, archival glue, Macula: 50,8 x 28 x 61 cm, pedestal: 43 x 20 x 81 cm\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12052 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Macula-Series-PZ1-Putrih_Pereda_Podnar_C09.jpg\" title=\"New York, USA\" width=\"200\" height=\"300\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Macula-Series-PZ1-Putrih_Pereda_Podnar_C09-200x300.jpg\" data-caption=\"Tobias Putrih, Macula Series PZ\/2, 2014, Cardboard, archival glue, Macula: 50,8 x 28 x 61 cm, pedestal: 43 x 20 x 81 cm\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Macula-Series-PZ1-Putrih_Pereda_Podnar_C09-scaled.jpg 1709w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Macula-Series-PZ1-Putrih_Pereda_Podnar_C09-scaled-200x300.jpg 200w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Macula-Series-PZ1-Putrih_Pereda_Podnar_C09-684x1024.jpg 684w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Macula-Series-PZ1-Putrih_Pereda_Podnar_C09-768x1151.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Macula-Series-PZ1-Putrih_Pereda_Podnar_C09-1025x1536.jpg 1025w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Macula-Series-PZ1-Putrih_Pereda_Podnar_C09-1367x2048.jpg 1367w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Macula-Series-PZ1-Putrih_Pereda_Podnar_C09-624x935.jpg 624w\" data-sizes=\"(max-width: 200px) 100vw, 200px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" data-width=\"2\" data-height=\"2\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t\t\t\n\t\t\t\t\t<a data-image-id=\"12069\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-12049\" data-caption=\"Tobias Putrih, Solaris (model), 2009, Plywood, wooden sticks 56 x 58 x 30 cm\n\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12069 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/solaris_model.jpg\" title=\"solaris_model\" width=\"300\" height=\"202\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/solaris_model-300x202.jpg\" data-caption=\"Tobias Putrih, Solaris (model), 2009, Plywood, wooden sticks 56 x 58 x 30 cm\n\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/solaris_model.jpg 1688w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/solaris_model-300x202.jpg 300w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/solaris_model-1024x689.jpg 1024w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/solaris_model-768x516.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/solaris_model-1536x1033.jpg 1536w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/solaris_model-624x420.jpg 624w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" data-width=\"2\" data-height=\"2\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t\t\t\n\t\t\t\t\t<a data-image-id=\"12060\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-12049\" data-caption=\"Tobias Putrih, Venetian, Atmospheric, interior views at 52nd Venice Biennial - Slovenian Pavilion, Island of San Servolo, 2007\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12060 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Putrih_Venetian-Atmospheric-2007_3.jpg\" title=\"Putrih_Venetian Atmospheric 2007_3\" width=\"300\" height=\"263\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Putrih_Venetian-Atmospheric-2007_3-300x263.jpg\" data-caption=\"Tobias Putrih, Venetian, Atmospheric, interior views at 52nd Venice Biennial - Slovenian Pavilion, Island of San Servolo, 2007\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Putrih_Venetian-Atmospheric-2007_3.jpg 2362w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Putrih_Venetian-Atmospheric-2007_3-300x263.jpg 300w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Putrih_Venetian-Atmospheric-2007_3-1024x899.jpg 1024w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Putrih_Venetian-Atmospheric-2007_3-768x674.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Putrih_Venetian-Atmospheric-2007_3-1536x1349.jpg 1536w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Putrih_Venetian-Atmospheric-2007_3-2048x1798.jpg 2048w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Putrih_Venetian-Atmospheric-2007_3-624x548.jpg 624w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" data-width=\"2\" data-height=\"2\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t\t\t\n\t\t\t\t\t<a data-image-id=\"12059\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-12049\" data-caption=\"Tobias Putrih, Cylinder, 2007\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12059 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Putrih_Cylinder.jpg\" title=\"Putrih, Cylinder\" width=\"199\" height=\"300\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Putrih_Cylinder-199x300.jpg\" data-caption=\"Tobias Putrih, Cylinder, 2007\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Putrih_Cylinder-scaled.jpg 1700w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Putrih_Cylinder-scaled-199x300.jpg 199w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Putrih_Cylinder-680x1024.jpg 680w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Putrih_Cylinder-768x1157.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Putrih_Cylinder-1020x1536.jpg 1020w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Putrih_Cylinder-1360x2048.jpg 1360w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Putrih_Cylinder-624x940.jpg 624w\" data-sizes=\"(max-width: 199px) 100vw, 199px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" data-width=\"2\" data-height=\"2\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t\t\t\n\t\t\t\t\t<a data-image-id=\"12057\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-12049\" data-caption=\"Tobias Putrih, Cineclub at Thomas Dane, 2005\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12057 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Cineclub-at-Thomas-Dane-2005-Putrih2.jpg\" title=\"Tobias Putrih, Cineclub at Thomas Dane 2005\" width=\"245\" height=\"300\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Cineclub-at-Thomas-Dane-2005-Putrih2-245x300.jpg\" data-caption=\"Tobias Putrih, Cineclub at Thomas Dane, 2005\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Cineclub-at-Thomas-Dane-2005-Putrih2-scaled.jpg 2089w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Cineclub-at-Thomas-Dane-2005-Putrih2-scaled-245x300.jpg 245w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Cineclub-at-Thomas-Dane-2005-Putrih2-836x1024.jpg 836w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Cineclub-at-Thomas-Dane-2005-Putrih2-768x941.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Cineclub-at-Thomas-Dane-2005-Putrih2-1253x1536.jpg 1253w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Cineclub-at-Thomas-Dane-2005-Putrih2-1671x2048.jpg 1671w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Cineclub-at-Thomas-Dane-2005-Putrih2-624x765.jpg 624w\" data-sizes=\"(max-width: 245px) 100vw, 245px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div>\t\t\n\t<\/div>\n\n\t\n\t\n\t<script type=\"application\/ld+json\">\n\t{\n\t\t\"@context\": \"http:\/\/schema.org\",\n\t\t\"@type\"   : \"ImageGallery\",\n\t\t\"id\"      : \"https:\/\/www.gregorpodnar.com\/cms\/tobias-putrih\/\",\n\t\t\"url\"     : \"https:\/\/www.gregorpodnar.com\/cms\/tobias-putrih\/\"\n\t}\n\n\t<\/script>\n\n\t\n<\/div>\n<p>Born in 1972 in Kranj, Slovenia.&nbsp;<br \/>\nGraduated at the Academy of Fine Arts, Ljubljana, Slovenia in 1997.<br \/>\nBetween 1997 and 1998, studied at the Kunstakademie, D\u00fcsseldorf, Germany.<br \/>\nLives and works in Cambridge, USA.<\/p>\n<p>Tobias Putrih\u2019s practice frequently deals with artworks as proposals, maquettes, or models from existing architecture designs and ideas. Inspired by the likes of Buckminster Fuller, Friedrich Kielser and Yona Friedman, the artist\u2019s materially ephemeral projects engage with twentieth century utopian and visionary concepts of design and architecture, realising makeshift architectural models of public spaces such as cinemas, libraries and galleries. Putrih\u2019s temporary environments are made of ubiquitous, disposable and industrially manufactured materials, such as MDF, cardboard, paper, monofilaments, styrofoam and scaffolding. Putrih also adopts the use of intangible materials such as soap bubble membranes, light and shadow to explore the perimeters of design, architecture and sculpture. He employs these fractured forms as well as changes in floor levels and illumination to create a narrative pathway, often immersing his audience within the interiors of his sculptural installations.<\/p>\n<p><span style=\"font-family: BrandonText-Bold, arial, helvetica, sans-serif;\"><strong>Selected solo exhibitions<\/strong><\/span><\/p>\n<p>2021<br \/>\n<em>Internal Affairs,&nbsp;<\/em>Pink Summer Contemporary Art, Palazzo Ducale, Genova, Italy.<br \/>\n<em>Tobias Putrih: Perceptron, curated by Igor \u0160panjol,&nbsp;<\/em>Moderna galerija, Ljubljana, Slovenia.<\/p>\n<p>2016<br \/>\n<em>Slight Agitation 1\/4<strong><strong>, <\/strong><\/strong><\/em>Fondazione Prada, Milan, Italy.<br \/>\n<em>Tobias Putrih, Group-Form<\/em>, Galerie Greta Meert, Brussels, Belgium.<br \/>\n<em>Compress\u00f5es<\/em>, Galeria Luciana Brito Sa\u00f5 Paulo, Brazil.<br \/>\n<em>Obfuscation<\/em>, Pinksummer Contemporary Art, Genova, Italy.<\/p>\n<p>2015<br \/>\n<em>Pale Guardians<\/em>, Galerija Gregor Podnar, Berlin, Germany.<\/p>\n<p>2014<br \/>\n<em>Solar Limb<\/em>, Museum Haus Konstruktiv, Z\u00fcrich, Switzerland.<br \/>\n<em>Routine Inspection &#8211;<\/em>&nbsp;part of Steirischer Herbst Festival &#8216;Forms of Distancing. Representative Politics and the Politics of Representation&#8217;, Zollamt, Graz, Austria.<br \/>\n<i>Inspecci\u00f3n rutinaria,&nbsp;<\/i>Flora, Bogota, Columbia.<\/p>\n<p>2013<br \/>\n<em>Death of Tarelkin<\/em>, Galerie Greta Meert, Brussels, Belgium.<br \/>\n<em>Revolution Square<\/em>, ARKO Art Center, Seoul, South Korea.<br \/>\n<em>An Ode to the Egg<\/em>, P74 Gallery, Ljubljana, Slovenia.<\/p>\n<p>2012<br \/>\n<em>White City<\/em>, Villa Merkel, Esslingen, Germany.<br \/>\n<em>Apropos Polly Magoo<\/em>, Natalie Seroussi at Meudon, Meudon, France.<br \/>\n<em>Book Tower Studio<\/em>, S.M.A.K, Ghent, Belgium.<\/p>\n<p>2011<br \/>\n<em>When Language Goes on Holiday<\/em>, Meulensteen\/Protetch Gallery, New York, USA.<br \/>\n<em>Spogliando un vicino<\/em>, Galleria Pinksummer, Genoa, Italy.<br \/>\n<em>A,H,O,I,!<\/em>, Galerija Gregor Podnar, Berlin, Germany.<\/p>\n<p>2010<br \/>\n<em>\u0160i\u0161ka<\/em>,&nbsp;<em>International<\/em>, Espace 315, Centre Pompidou, Paris, France.<br \/>\n<em>After Frei Otto<\/em>, Ludlow38, New York, USA.<br \/>\n<em>Majestic (with MOS)<\/em>, Wexner Center, Ohio, USA.<\/p>\n<p>2009<br \/>\n<em>Without Out (with MOS)<\/em>, MIT List Visual Arts Center, Cambridge, Massachussetts, USA.<br \/>\n<em>Overhang (with MOS)<\/em>, Baltic Centre for Contemporary Art, Gateshead, United Kingdom.<br \/>\n<em>Intervention #10 (with MOS)<\/em>, Museum Boijmans Van Beuningen, Rotterdam, Netherlands.<\/p>\n<p>2008<br \/>\n<em>Restless Subject<\/em> (with Runa Islam), Kunsthaus, Z\u00fcrich, Switzerland.<br \/>\n<em>Projection Space Related to Runa Islam&#8217;s Empty the pond to get the fish<\/em>, White Cube, London, United Kingdom.<br \/>\n<em>Cin\u00e9ma attitudes<\/em>, Attitudes, Geneva, Switzerland.<br \/>\n<em>Re-projection<\/em>, Galerija Gregor Podnar, Berlin, Germany.<br \/>\n<em>Lost Cinema Lost (with Runa Islam)<\/em>, Galeria Civica, Modena, Italy.<\/p>\n<p>2007<br \/>\n<em>Venetian, Atmospheric, Slovenian Pavilion, 52nd Venice Biennale<\/em>, Venice, Italy.<br \/>\n<em>Quasi-Random<\/em>, Neuberger Museum of Art, New York, USA.<br \/>\n<em>Repertoire<\/em>, Max Protetch Gallery, New York, USA.<br \/>\n<em>Paradise<\/em>, Galleria Pinksummer, Genoa, Italy.<br \/>\nMax Protetch Gallery \u2013 Project Space, New York, USA.<\/p>\n<p>2006<br \/>\n<em>A Place by Two<\/em>, Galerija Gregor Podnar, Ljubljana, Slovenia.<br \/>\nLaumeier Sculpture Park, St. Louis, Missouri, USA.<\/p>\n<p>2005<br \/>\nMax Protetch Gallery, New York City, USA.<br \/>\n<em>Tobias Putrih (with Toby Paterson)<\/em>, Grazer Kunstverein,&nbsp;<span style=\"line-height: 1.71429; font-size: 1rem;\">Graz, Austria.<\/span><\/p>\n<p>2004<br \/>\nGalerie Almine Rech, Paris, France.<\/p>\n<p>2003<br \/>\nMax Protetch Gallery, New York City, USA.<br \/>\nMala Galerija, Museum of Modern Art, Ljubljana, Slovenia.<\/p>\n<p>2002<br \/>\n<em>Science Fiction<\/em>, Be\u017eigrajska Galerija, Ljubljana, Slovenia.<\/p>\n<p>2001<br \/>\n<em>Movie Tales<\/em> (with \u017diga Kari\u017e), Galerija \u0160kuc, Ljubljana, Slovenia.<\/p>\n<p>1999<br \/>\nGalerija Kapelica, Ljubljana, Slovenia.<\/p>\n<p><span style=\"font-family: BrandonText-Bold, arial, helvetica, sans-serif;\"><strong>Selected group exhibitions<\/strong><\/span><\/p>\n<p>2023<br \/>\n(Everything Is) Not What It Seems, Piran Civic Gallery, Piran Coastal Galleries, Slovenia.<\/p>\n<p>2018<br \/>\n<em>TEMPORARY STRUCTURES IV,&nbsp;<\/em>PLATO Ostrava, Ostrava, Czech Republic.<br \/>\n<em>Recollection \u2013 A Journey After 28 Years<\/em>, PROYECTOSMONCLOVA, Mexico City, Mexico.<br \/>\n<em>Futurologija \u2013 Kaj lahko umetnost jutri naredi za vas?<\/em>, Mestna galerija Nova Gorica, Nova Gorica,&nbsp; Slovenia.<br \/>\n<em>The Swamp School<\/em>, Il Giardino Bianco Art Space, Castello, 16th International Architecture Exhibition, Venice, Italy.<br \/>\n<em>Echigo tsumari art triennale 2018<\/em>, Echigo-Tsumari Art Triennial Secretariat, Niigata-ken, Japan.<\/p>\n<p>2017<br \/>\n<em>trigon 67\/17. ambiente nuovo\/ post environment,&nbsp;<\/em>K\u00fcnstlerhaus, Halle f\u00fcr Kunst &amp; Medien, Graz, Austria.<\/p>\n<p>2016<br \/>\n<em>A History. Contemporary Art from the Centre Pompidou<\/em>, Haus der Kunst, Munich, Germany.<br \/>\n<em>Shape of Time &#8211; Future of Nostalgia,&nbsp;<\/em>National Museum of Contemporary Art (MNAC), Bucharest, Romania.<br \/>\n<em>Um die Ecke denken<\/em>, Museum Haus Konstruktiv, Zurich, Switzerland.<br \/>\n<em>Low-Budget Utopias<\/em>, Museum of Contemporary Art Metelkova, Ljubljana, Slovenia.<\/p>\n<p>2015<br \/>\n<em>Reverse Order: Troika, Tobias Putrih, Larry Bell<\/em>, Anne Mosseri-Marlio Galerie, Basel, Switzerland.<br \/>\nCrises and New Beginnings: Art in Slovenia 2005-2015, Museum of Contemporary Art Metelkova, Ljubljana, Slovenia.<br \/>\n<em>Vanit\u00e0\/Vanitas<\/em>, Museuo Ettore Fico, Turin, Italy.<br \/>\n<em>1st Trio Biennial<\/em>, Rio de Janeiro, Brazil.<br \/>\n<em>Timely Manoeuvres<\/em>, Ikkan Art Gallery, Singapore.<br \/>\n<em>The magic of art. Protagonists of Slovenian contemporary art 1968-2013<\/em>, Glyptotheque, Zagreb, Croatia (also travelled to K\u00fcnstlerhaus Wien, Vienna, Austria).<br \/>\n<em>Mainzer Ansichten<\/em>, Kunsthalle Mainz, Germany.<\/p>\n<p>2014<br \/>\n<em>Une histoire, art, architecture et design, des ann\u00e9es 80&nbsp;\u00e0 aujourd\\&#8217;hui<\/em>, Centre Pompidou Mus\u00e9e National d&#8217;Art Moderne, Paris, France.<br \/>\n<em>Art &amp; Me. Collection Mudam<\/em>, Mudam &#8211; Mus\u00e9e d\u2019art Moderne Grand-Duc Jean, Luxembourg, Luxembourg.<br \/>\n<em>Coffee &amp; Ink<\/em>, Galeria Casas Riegner, Bogota, Colombia.<br \/>\n<em>September Show<\/em>, Galerija Gregor Podnar, Berlin, Germany.<br \/>\n<em>The Magic of Art &#8211; the Protagonists of Slovene Contemporary Art 1986-2013<\/em>, Vila Manin, Passariano di Codroipo, Italy.<br \/>\n<em>Urban Perspective &#8211; Dark City<\/em>, Schafhof &#8211; Europ\u00e4isches K\u00fcnstlerhaus Oberbayern, Freising, Germany.<br \/>\n<em>The Empty Pedestal<\/em>, Museo Civico Archeologico di Bologna, Italy.<br \/>\n<em>Film Without Film<\/em>, Oberhausen Film Festival, Oberhausen, Germany.<\/p>\n<p>2013<br \/>\n<em>Triple Identity: Favaretto, Maljkovic, Putrih<\/em>, Contemporary Museum Istria, Pula, Croatia.<br \/>\n<em>Off-Modern: Ruins of the Future, Special projects of the 5th Moscow Biennale of Contemporary Art<\/em>, Moscow, Russia.<br \/>\n<em>Ways of Working: the Incidental Object<\/em>, Fondazione Merz, Turin, Italy.<br \/>\n<em>OK ExtraKino<\/em>, OK Zentrum, Linz, Austria.<br \/>\n<em>Cinematic Scope<\/em>, Georg Kargl Fine Arts, Vienna, Austria.<\/p>\n<p>2012<br \/>\n<em>TRACK<\/em>, S.M.A.K, Ghent, Belgium.<br \/>\n<em>Light and Landscape<\/em>, Storm King Sculpture Park, Mountainville, New York, USA.<br \/>\n<em>One Sixth of the Earth<\/em>, MUSAC, Leon, Spain.<br \/>\n<em>Les Detours de L\u2019Abstracion<\/em>, Mudam &#8211; Mus\u00e9e d\u2019art Moderne Grand-Duc Jean, Luxembourg, Luxembourg.<br \/>\n<em>Cantenmus \u2013 Choirs, the Sublime and the Exegesis of Being<\/em>, Argos, Centre for Art and Media, Brussels, Belgium.<br \/>\n<em>Wir sind alle Astronauten<\/em>, Zeppelin Museum Friedrichshafen, Friedrichshafen, Germany.<\/p>\n<p>2011<br \/>\n<em>M\u00e4rklinWorld<\/em>, Kunsthal KAdE, Amersfoort, Netherlands.<br \/>\n<em>Auditorium Moscow. A sketch for a Public Space<\/em>, Bielie Palaty, Moscow, Russia.<br \/>\n<em>Un\u2019Espressione Geografica<\/em>, Fondazione Sandretto Re Rebaudengo, Turin, Italy.<br \/>\n<em>Spaceship Earth<\/em>, Centre of Contemporary Art Znaki Czasu, Torun, Poland.<br \/>\n<em>We Are All Astronauts &#8211; Universe Richard Buckminster Fuller<\/em>, Marta Herford, Herford, Germany.<\/p>\n<p>2010<br \/>\n<em>Rehabilitation<\/em>, Wiels, Brussels.<br \/>\n<em>21<sup>st<\/sup> Century: Art in the First Decade<\/em>, Queensland Art Gallery, Queensland, Australia.<br \/>\n<em>29<sup>th<\/sup> S\u00e3o Paulo Biennial<\/em>, Brazil.<br \/>\n<em>Yesterday\u2019s Tomorrows<\/em>, Mus\u00e9e d\u2019art contemporain de Montr\u00e9al, Montr\u00e9al, Canada.<br \/>\n<em>Material World<\/em>, MoCA &#8211; Massachusetts Museum of Contemporary Art, North Adams, USA.<br \/>\n<em>Star City: The Future Under Communism<\/em>, Nottingham Contemporary, Nottingham, England.<br \/>\n<em>Brave New World<\/em>, Mudam &#8211; Mus\u00e9e d\u2019art Moderne Grand-Duc Jean, Luxembourg, Luxembourg.<\/p>\n<p>2009<br \/>\n<em>Projections<\/em>, Mus\u00e9e d\u2019art contermporain de Nimes, Nimes, France.<br \/>\n<em>Go East II<\/em>, Mudam &#8211; Mus\u00e9e d\u2019art Moderne Grand-Duc Jean, Luxembourg, Luxembourg.<br \/>\n<em>Warsaw Under Construction<\/em>, Museum of Modern Art, Warsaw, Poland.<br \/>\n<em>Tiempo como materia<\/em>, Museu d\u2019art Contemporani de Barcelona, Barcelona, Spain.<br \/>\n<em>L\u00e0 o\u00f9 je suis n\u2019existe pas<\/em>, Les Abattoirs de Toulouse, Toulous, France.<\/p>\n<p>2008<br \/>\n<em>Psycho Buildings: Architecture by Artists<\/em>, The Hayward Museum, London, UK.<br \/>\n<em>Megastructure Reloaded<\/em>, Berlin, Germany.<br \/>\n<em>Peripheral Vision and Collective Body<\/em>, Museion, Bolzano, Italy.<br \/>\n<em>Fast-Forward<\/em>, Project Space 176, London, UK.<br \/>\n<em>Transmediale 08: Conspire<\/em>, Haus der Kulturen der Welt, Berlin, Germany.<\/p>\n<p>2007<br \/>\n<em>Anachronism<\/em>, Argos, Brussels, Belgium.<br \/>\n<em>Multiplex \u2013 Directions in Art 1970 to Now<\/em>, MoMA, New York, USA.<br \/>\n<em>Forms of Resistance<\/em>, Van Abbemuseum, Eindhoven, Netherlands.<\/p>\n<p>2006<br \/>\n<em>Erz\u00e4hlungen, -35\/65+ Zwei Generationen<\/em>, Kunsthaus Graz, Graz, Austria.<br \/>\n<em>Eldorado<\/em>, Mudam &#8211; Mus\u00e9e d\u2019Art Moderne Grand-Duc Jean, Luxembourg, Luxembourg.<br \/>\n<em>ArtUnlimited<\/em>, Galerija Gregor Podnar, ArtBasel 37, Basel, Switzerland.<br \/>\n<em>Dialogo II<\/em>, Galleria Enrico Fornello, Prato, Italy.<\/p>\n<p>2005<br \/>\n<em>Certain Tendencies in Representation<\/em>, Thomas Dane Gallery, London, United Kingdom.<br \/>\n<em>Greater New York<\/em>, PS1, Long Island City, New York, USA.<br \/>\n<em>Monument for America<\/em>, Wattis Institute for Contemporary Arts,&nbsp;<span style=\"line-height: 1.71429; font-size: 1rem;\">San Francisco, USA.<br \/>\n<\/span><em>Downtime: Constructing Leisure<\/em>, New Langton Arts, San Francisco, USA.<em style=\"font-size: 1rem;\"><br \/>\n<em>Trend<\/em>, <\/em>City Art Museum Ljubljana, Slovenia.<\/p>\n<p>2004<br \/>\n<em>Collective Effort<\/em>, Baltimore Museum of Art, Baltimore, USA.<br \/>\n<em>Mediteraneo<\/em>, MACRO Contemporary Art Museum, Rome, Italy.<br \/>\n<em>Den Haag Sculptuur<\/em>, Hague, Netherlands.<br \/>\n<em>Seven Sins<\/em>, Museum of Modern Art, Ljubljana, Slovenia.<\/p>\n<p>2003<br \/>\n<em>ArtUnlimited<\/em>, Art Basel 34, Basel, Switzerland.<br \/>\n<em>In the Gorges of the Balkans<\/em>, Kunsthalle Fridericianum, Kassel, Germany.<br \/>\n<em>U3<\/em>, Museum of Modern Art, Ljubljana, Slovenia.<br \/>\n<em>Peter Donaldson, Kalin Lindena, Tobias Putrih<\/em>, Transmission Gallery, Glasgow, United Kingdom.<\/p>\n<p>2002<br \/>\n<em>Manifesta 4<\/em>, Frankfurt, Germany.<br \/>\n<em>September Horse<\/em>, K\u00fcnstlerhaus Bethanien, Berlin, Germany.<br \/>\n<em>Kunstexpeditionen<\/em>, Forum of Sony Center at Postdamer Platz, Berlin, Germany.<br \/>\nMax Protetch Gallery, New York, USA.<br \/>\n<em>\u0160kuc&nbsp;Gallery Project<\/em>, Art Moscow, Moscow, Russia.<br \/>\n<em>Twinklings<\/em>, Galerija \u0160kuc, Ljubljana, Slovenia.<\/p>\n<p>2001<br \/>\n<em>Becomings<\/em>, Museum of Contemporary Art, Tirana \/ City Art Museum Ljubljana, Slovenia.<br \/>\n<em>Shall I or shall I not?<\/em>, Pavel-House, Laafeld, Austria.<\/p>\n<p><span style=\"font-family: BrandonText-Bold, arial, helvetica, sans-serif;\"><strong>Public Commissions and Competitions<\/strong><\/span><\/p>\n<p>2015<br \/>\nFutureCity, South Bank Tower, London, United Kingdom.<br \/>\n2011<br \/>\nWinzavod Auditorium, Moscow, Russia.<br \/>\n2010<br \/>\nWWB2 Auditorium, Museum of Modern Art, Warsaw, Poland.<br \/>\nPavilion for Museum of Modern Art Warsaw (competition per invitation, 2nd place \u2013 with MOS architects)<br \/>\n2009<br \/>\nSculpture park design (with Interboro Architects), Canal &amp; Varick Street, New York, USA.<\/p>\n<p><strong>Public Collections<\/strong><\/p>\n<p>Centre Pompidou, Mus\u00e9e National d&#8217;Art Moderna, Paris, France.<br \/>\nMuseum of Modern Art (MoMA), New York, USA.<br \/>\nMus\u00e9e d&#8217;Art Moderne Grand-Duc Jean (Mudam), Luxembourg, Luxembourg.<br \/>\nMuseu d&#8217;art Contemporani de Barcelona, Spain.<br \/>\nMuseum Boijmans van Beuningen, Rotterdam, Netherlands.<br \/>\nModerna Galerija, Ljubljana, Slovenia.<br \/>\nNeuberger Museum of Art, State University of New York at Purchase College, New York, USA.<br \/>\nQueensland Art Gallery, Queensland, Australia.<br \/>\nFondazione Prada, Milan, Italy.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Born in 1972 in Kranj, Slovenia.&nbsp; Graduated at the Academy of Fine Arts, Ljubljana, Slovenia in 1997. Between 1997 and 1998, studied at the Kunstakademie, D\u00fcsseldorf, Germany. Lives and works in Cambridge, USA. Tobias Putrih\u2019s practice frequently deals with artworks as proposals, maquettes, or models from existing architecture designs and ideas. Inspired by the likes [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"gp-artist.php","meta":{"inline_featured_image":false,"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-250","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/pages\/250","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/comments?post=250"}],"version-history":[{"count":58,"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/pages\/250\/revisions"}],"predecessor-version":[{"id":12063,"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/pages\/250\/revisions\/12063"}],"wp:attachment":[{"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/media?parent=250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}