{"id":5542,"date":"2016-01-12T12:26:16","date_gmt":"2016-01-12T12:26:16","guid":{"rendered":"http:\/\/gregorpodnar.com\/?page_id=5542"},"modified":"2024-10-30T17:23:29","modified_gmt":"2024-10-30T16:23:29","slug":"tomislav-gotovac","status":"publish","type":"page","link":"https:\/\/www.gregorpodnar.com\/cms\/tomislav-gotovac\/","title":{"rendered":"Tomislav Gotovac"},"content":{"rendered":"<style>#jtg-11922 .modula-item .jtg-social a, .lightbox-socials.jtg-social a{ fill: #ffffff; color: #ffffff }#jtg-11922 .modula-item .jtg-social-mobile a{ fill: #ffffff; color: #ffffff }#jtg-11922 .modula-item .jtg-social svg, .lightbox-socials.jtg-social svg { height: 16px; width: 16px }#jtg-11922 .modula-item .jtg-social-mobile svg { height: 16px; width: 16px }#jtg-11922 .modula-item .jtg-social a:not(:last-child), .lightbox-socials.jtg-social a:not(:last-child) { margin-right: 10px }#jtg-11922 .modula-item .jtg-social-mobile .jtg-social-mobile-icons a:not(:last-child){ margin-right: 10px }#jtg-11922 .modula-item .figc {}#jtg-11922 .modula-item .modula-item-content { transform: scale(1) }#jtg-11922 .modula-items .figc p.description { color:;}#jtg-11922.modula-gallery .modula-item > a, #jtg-11922.modula-gallery .modula-item, #jtg-11922.modula-gallery .modula-item-content > a:not(.modula-no-follow) { cursor:zoom-in; } #jtg-11922.modula-gallery .modula-item-content .modula-no-follow { cursor: default; } @media screen and (max-width:480px){#jtg-11922 .modula-item .figc .jtg-title {  font-size: 12px; }#jtg-11922 .modula-items .figc p.description { color:;font-size:0px; }}<\/style>\n<!-- Gallery Container -->\n<div  id=\"jtg-11922\" class=\"modula modula-gallery modula-custom-grid\" data-config=\"{&quot;height&quot;:0,&quot;tabletHeight&quot;:0,&quot;mobileHeight&quot;:0,&quot;desktopHeight&quot;:0,&quot;enableTwitter&quot;:false,&quot;enableWhatsapp&quot;:false,&quot;enableFacebook&quot;:false,&quot;enablePinterest&quot;:false,&quot;enableLinkedin&quot;:false,&quot;enableEmail&quot;:false,&quot;randomFactor&quot;:0,&quot;type&quot;:&quot;custom-grid&quot;,&quot;columns&quot;:12,&quot;gutter&quot;:10,&quot;mobileGutter&quot;:10,&quot;tabletGutter&quot;:10,&quot;desktopGutter&quot;:10,&quot;enableResponsive&quot;:&quot;0&quot;,&quot;tabletColumns&quot;:&quot;2&quot;,&quot;mobileColumns&quot;:&quot;1&quot;,&quot;lazyLoad&quot;:&quot;1&quot;,&quot;lightboxOpts&quot;:{&quot;animated&quot;:true,&quot;Thumbs&quot;:{&quot;type&quot;:&quot;modern&quot;,&quot;showOnStart&quot;:false},&quot;Toolbar&quot;:{&quot;display&quot;:{&quot;right&quot;:[&quot;close&quot;]},&quot;enabled&quot;:true},&quot;Carousel&quot;:{&quot;Panzoom&quot;:{&quot;touch&quot;:false},&quot;infinite&quot;:false},&quot;keyboard&quot;:{&quot;Escape&quot;:&quot;close&quot;,&quot;Delete&quot;:&quot;close&quot;,&quot;Backspace&quot;:&quot;close&quot;,&quot;PageUp&quot;:false,&quot;PageDown&quot;:false,&quot;ArrowUp&quot;:false,&quot;ArrowDown&quot;:false,&quot;ArrowRight&quot;:false,&quot;ArrowLeft&quot;:false},&quot;touch&quot;:false,&quot;backdropClick&quot;:false,&quot;l10n&quot;:{&quot;CLOSE&quot;:&quot;Close&quot;,&quot;NEXT&quot;:&quot;Next&quot;,&quot;PREV&quot;:&quot;Previous&quot;,&quot;Error&quot;:&quot;The requested content cannot be loaded. 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Juan-Carlos Ferro Duque\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img class=\"pic wp-image-12135 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/GOTOVAC-Tomislav_Heads_1970.jpg\" title=\"Tomislav Gotovac, Heads, 1970 Twelve b\/w photographs, 30 x 24 cm each, ph. Juan-Carlos Ferro Duque\" width=\"300\" height=\"297\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/GOTOVAC-Tomislav_Heads_1970-300x297.jpg\" data-caption=\"Tomislav Gotovac, Heads, 1970 Twelve b\/w photographs, 30 x 24 cm each, ph. 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data-sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" data-width=\"2\" data-height=\"2\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t\t\t\n\t\t\t\t\t<a data-image-id=\"12151\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-11922\" data-caption=\"Tomislav Gotovac, Noises 1, 1964 Packaging material, paper, newspaper, flyers, envelopes, glue, cardboard, 46 x 57.5 cm\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12151 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Noises-1_46x57.5_1964.jpg\" title=\"Tomislav Gotovac, Noises 1, 1964 Packaging 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data-image-id=\"12159\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-11922\" data-caption=\"Tomislav Gotovac, Water, 1994 Frottage (charcoal and pencil on paper), 73 x 99 cm\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12159 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Water_1994-cropped.jpeg\" title=\"Tomislav Gotovac, Water, 1994 Frottage (charcoal and pencil on paper), 73 x 99 cm\" width=\"300\" height=\"221\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Water_1994-cropped-300x221.jpeg\" data-caption=\"Tomislav Gotovac, Water, 1994 Frottage (charcoal and pencil on paper), 73 x 99 cm\" data-source=\"modula\" 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class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t\t\t\n\t\t\t\t\t<a data-image-id=\"12165\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-11922\" data-caption=\"Tomislav Gotovac, Cleaning of Public Space, 1981, hand-made apron back\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12165 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Cleaning-of-Public-Space-1981-hand-made-apron_back.jpg\" title=\"Tomislav Gotovac, Cleaning of Public Space, 1981, hand-made apron_back\" width=\"217\" height=\"300\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Cleaning-of-Public-Space-1981-hand-made-apron_back-217x300.jpg\" data-caption=\"Tomislav Gotovac, Cleaning of Public Space, 1981, hand-made apron back\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Cleaning-of-Public-Space-1981-hand-made-apron_back.jpg 1448w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Cleaning-of-Public-Space-1981-hand-made-apron_back-217x300.jpg 217w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Cleaning-of-Public-Space-1981-hand-made-apron_back-741x1024.jpg 741w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Cleaning-of-Public-Space-1981-hand-made-apron_back-768x1061.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Cleaning-of-Public-Space-1981-hand-made-apron_back-1112x1536.jpg 1112w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Cleaning-of-Public-Space-1981-hand-made-apron_back-624x862.jpg 624w\" data-sizes=\"(max-width: 217px) 100vw, 217px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" data-width=\"2\" data-height=\"2\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t\t\t\n\t\t\t\t\t<a data-image-id=\"12157\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-11922\" data-caption=\"Tomislav Gotovac, Reading \u201eDaily Mail\u201c Amsterdam, 1980\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12157 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/1980_\u00a8itanje-novina_-001_cut.jpg\" title=\"Tomislav Gotovac, Reading \u201eDaily Mail\u201c Amsterdam, 1980\" width=\"300\" height=\"189\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/1980_\u00a8itanje-novina_-001_cut-300x189.jpg\" data-caption=\"Tomislav Gotovac, Reading \u201eDaily Mail\u201c Amsterdam, 1980\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/1980_\u00a8itanje-novina_-001_cut.jpg 1024w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/1980_\u00a8itanje-novina_-001_cut-300x189.jpg 300w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/1980_\u00a8itanje-novina_-001_cut-768x485.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/1980_\u00a8itanje-novina_-001_cut-624x394.jpg 624w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" data-width=\"2\" data-height=\"2\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t\t\t\n\t\t\t\t\t<a data-image-id=\"12149\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-11922\" data-caption=\"Tomislav Gotovac, Zagreb, I Love You! 1981, performance, Zagreb, courtesy Tomislav Gotovac Institute\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12149 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Tomislav-Gotovac-Zagreb-I-Love-You-1981-performance-Zagrebcourtesy-Tomislav-Gotovac-Institute.jpg\" title=\"Tomislav Gotovac, Zagreb, I Love You! 1981, performance, Zagreb,courtesy Tomislav Gotovac Institute\" width=\"300\" height=\"158\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Tomislav-Gotovac-Zagreb-I-Love-You-1981-performance-Zagrebcourtesy-Tomislav-Gotovac-Institute-300x158.jpg\" data-caption=\"Tomislav Gotovac, Zagreb, I Love You! 1981, performance, Zagreb, courtesy Tomislav Gotovac Institute\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Tomislav-Gotovac-Zagreb-I-Love-You-1981-performance-Zagrebcourtesy-Tomislav-Gotovac-Institute.jpg 950w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Tomislav-Gotovac-Zagreb-I-Love-You-1981-performance-Zagrebcourtesy-Tomislav-Gotovac-Institute-300x158.jpg 300w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Tomislav-Gotovac-Zagreb-I-Love-You-1981-performance-Zagrebcourtesy-Tomislav-Gotovac-Institute-768x404.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Tomislav-Gotovac-Zagreb-I-Love-You-1981-performance-Zagrebcourtesy-Tomislav-Gotovac-Institute-624x328.jpg 624w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" data-width=\"2\" data-height=\"2\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t\t\t\n\t\t\t\t\t<a data-image-id=\"12148\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-11922\" data-caption=\"Tomislav Gotovac, Zagreb, I Love You! 1981, performance, Zagreb, courtesy Tomislav Gotovac Institute\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12148 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Tomislav-Gotovac-Zagreb-I-Love-You-1981-performance-Zagreb-courtesy-Tomislav-Gotovac-Institute.jpg\" title=\"Tomislav Gotovac, Zagreb, I Love You! 1981, performance, Zagreb, courtesy Tomislav Gotovac Institute\" width=\"300\" height=\"158\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Tomislav-Gotovac-Zagreb-I-Love-You-1981-performance-Zagreb-courtesy-Tomislav-Gotovac-Institute-300x158.jpg\" data-caption=\"Tomislav Gotovac, Zagreb, I Love You! 1981, performance, Zagreb, courtesy Tomislav Gotovac Institute\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Tomislav-Gotovac-Zagreb-I-Love-You-1981-performance-Zagreb-courtesy-Tomislav-Gotovac-Institute.jpg 950w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Tomislav-Gotovac-Zagreb-I-Love-You-1981-performance-Zagreb-courtesy-Tomislav-Gotovac-Institute-300x158.jpg 300w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Tomislav-Gotovac-Zagreb-I-Love-You-1981-performance-Zagreb-courtesy-Tomislav-Gotovac-Institute-768x404.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Tomislav-Gotovac-Zagreb-I-Love-You-1981-performance-Zagreb-courtesy-Tomislav-Gotovac-Institute-624x328.jpg 624w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" data-width=\"2\" data-height=\"2\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t\t\t\n\t\t\t\t\t<a data-image-id=\"12146\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-11922\" data-caption=\"Tomislav Gotovac, Streaking Zagreb, 1971 18 x 26,5 cm-each_60,5 x76,5 x3cm framed\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12146 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Streaking_1971_18x265cm-each_605x765x3cm-framed_high-copy.jpg\" title=\"Gotovac_Streaking_1971_18x26,5cm-each_60,5x76,5x3cm-framed_high copy\" width=\"300\" height=\"236\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Streaking_1971_18x265cm-each_605x765x3cm-framed_high-copy-300x236.jpg\" data-caption=\"Tomislav Gotovac, Streaking Zagreb, 1971 18 x 26,5 cm-each_60,5 x76,5 x3cm framed\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Streaking_1971_18x265cm-each_605x765x3cm-framed_high-copy-scaled.jpg 2560w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Streaking_1971_18x265cm-each_605x765x3cm-framed_high-copy-scaled-300x236.jpg 300w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Streaking_1971_18x265cm-each_605x765x3cm-framed_high-copy-1024x805.jpg 1024w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Streaking_1971_18x265cm-each_605x765x3cm-framed_high-copy-768x604.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Streaking_1971_18x265cm-each_605x765x3cm-framed_high-copy-1536x1208.jpg 1536w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Streaking_1971_18x265cm-each_605x765x3cm-framed_high-copy-2048x1611.jpg 2048w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Streaking_1971_18x265cm-each_605x765x3cm-framed_high-copy-624x491.jpg 624w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" data-width=\"2\" data-height=\"2\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t\t\t\n\t\t\t\t\t<a data-image-id=\"12160\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-11922\" data-caption=\"Tomislav Gotovac, Zorah, 1977 Newspapers, iron, 43 x 67 x 30 cm\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12160 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Zorah_1977.jpg\" title=\"Tomislav Gotovac, Zorah, 1977 Newspapers, iron, 43 x 67 x 30 cm\" width=\"300\" height=\"203\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Zorah_1977-300x203.jpg\" data-caption=\"Tomislav Gotovac, Zorah, 1977 Newspapers, iron, 43 x 67 x 30 cm\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Zorah_1977.jpg 2000w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Zorah_1977-300x203.jpg 300w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Zorah_1977-1024x691.jpg 1024w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Zorah_1977-768x518.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Zorah_1977-1536x1037.jpg 1536w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Zorah_1977-624x421.jpg 624w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" data-width=\"2\" data-height=\"2\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t\t\t\n\t\t\t\t\t<a data-image-id=\"12161\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-11922\" data-caption=\"Tomislav Gotovac, Untitled (Object 5), 1985\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12161 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Untitled-Object-5_1985.jpg\" title=\"Gotovac_Untitled (Object 5)_1985\" width=\"300\" height=\"220\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Untitled-Object-5_1985-300x220.jpg\" data-caption=\"Tomislav Gotovac, Untitled (Object 5), 1985\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Untitled-Object-5_1985.jpg 2000w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Untitled-Object-5_1985-300x220.jpg 300w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Untitled-Object-5_1985-1024x752.jpg 1024w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Untitled-Object-5_1985-768x564.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Untitled-Object-5_1985-1536x1127.jpg 1536w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac_Untitled-Object-5_1985-624x458.jpg 624w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" data-width=\"2\" data-height=\"2\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t\t\t\n\t\t\t\t\t<a data-image-id=\"12163\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-11922\" data-caption=\"Tomislav Gotovac, Cleaning of Public Spaces, 1981, broom with dustpan\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12163 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Cleaning-of-Public-Spaces-1981-broom-with-dustpan_cropped.jpg\" title=\"Gotovac, Cleaning of Public Spaces, 1981, broom with dustpan_cropped\" width=\"300\" height=\"300\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Cleaning-of-Public-Spaces-1981-broom-with-dustpan_cropped-300x300.jpg\" data-caption=\"Tomislav Gotovac, Cleaning of Public Spaces, 1981, broom with dustpan\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Cleaning-of-Public-Spaces-1981-broom-with-dustpan_cropped.jpg 1791w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Cleaning-of-Public-Spaces-1981-broom-with-dustpan_cropped-300x300.jpg 300w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Cleaning-of-Public-Spaces-1981-broom-with-dustpan_cropped-1024x1022.jpg 1024w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Cleaning-of-Public-Spaces-1981-broom-with-dustpan_cropped-150x150.jpg 150w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Cleaning-of-Public-Spaces-1981-broom-with-dustpan_cropped-768x767.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Cleaning-of-Public-Spaces-1981-broom-with-dustpan_cropped-1536x1533.jpg 1536w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Cleaning-of-Public-Spaces-1981-broom-with-dustpan_cropped-624x623.jpg 624w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" data-width=\"2\" data-height=\"2\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t\t\t\n\t\t\t\t\t<a data-image-id=\"12164\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-11922\" data-caption=\"Tomislav Gotovac, Studentski list no.788-789, Zagreb 12.6.1981 newspaper, 58 x 43,5 cm\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12164 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Studentski-list-no.788-789-Zagreb-12.6.1981-newspaper-58-x-435-cm-cropped.jpg\" title=\"Gotovac, Studentski list no.788-789, Zagreb 12.6.1981 newspaper, 58 x 43,5 cm cropped\" width=\"234\" height=\"300\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Studentski-list-no.788-789-Zagreb-12.6.1981-newspaper-58-x-435-cm-cropped-234x300.jpg\" data-caption=\"Tomislav Gotovac, Studentski list no.788-789, Zagreb 12.6.1981 newspaper, 58 x 43,5 cm\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Studentski-list-no.788-789-Zagreb-12.6.1981-newspaper-58-x-435-cm-cropped.jpg 1427w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Studentski-list-no.788-789-Zagreb-12.6.1981-newspaper-58-x-435-cm-cropped-234x300.jpg 234w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Studentski-list-no.788-789-Zagreb-12.6.1981-newspaper-58-x-435-cm-cropped-799x1024.jpg 799w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Studentski-list-no.788-789-Zagreb-12.6.1981-newspaper-58-x-435-cm-cropped-768x984.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Studentski-list-no.788-789-Zagreb-12.6.1981-newspaper-58-x-435-cm-cropped-1199x1536.jpg 1199w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/Gotovac-Studentski-list-no.788-789-Zagreb-12.6.1981-newspaper-58-x-435-cm-cropped-624x799.jpg 624w\" data-sizes=\"(max-width: 234px) 100vw, 234px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" data-width=\"2\" data-height=\"2\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t\t\t\n\t\t\t\t\t<a data-image-id=\"12169\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-11922\" data-caption=\"Zorah, 1977\nNewspapers, iron, 43 x 67 x 30 cm\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12169 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/R-7_Zorah.jpg\" title=\"Zorah, 1977 Newspapers, iron, 43 x 67 x 30 cm\" width=\"300\" height=\"225\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/R-7_Zorah-300x225.jpg\" data-caption=\"Zorah, 1977\nNewspapers, iron, 43 x 67 x 30 cm\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/R-7_Zorah-scaled.jpg 2560w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/R-7_Zorah-scaled-300x225.jpg 300w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/R-7_Zorah-1024x768.jpg 1024w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/R-7_Zorah-768x576.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/R-7_Zorah-1536x1152.jpg 1536w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/R-7_Zorah-2048x1536.jpg 2048w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/R-7_Zorah-624x468.jpg 624w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div>\t\t\n\t<\/div>\n\n\t\n\t\n\t<script type=\"application\/ld+json\">\n\t{\n\t\t\"@context\": \"http:\/\/schema.org\",\n\t\t\"@type\"   : \"ImageGallery\",\n\t\t\"id\"      : \"https:\/\/www.gregorpodnar.com\/cms\/tomislav-gotovac\/\",\n\t\t\"url\"     : \"https:\/\/www.gregorpodnar.com\/cms\/tomislav-gotovac\/\"\n\t}\n\n\t<\/script>\n\n\t\n<\/div>\n<p>Born in Sombor, Serbia in 1937 and died in Zagreb, Croatia in 2010.<\/p>\n<p>Gotovac is considered the precursor of performance art in Croatia and the former Yugoslavia, and an important figure in the development of the artistic avant-garde in Europe during the 1960s and 1970s. He began his career with works in photographic medium and then he moved on to produce collages, films, performances and actions. The artist made a number of avant-garde structuralist films that positioned him as one of the most important experimental filmmakers in the European historical context. Gotovac\u2019s artistic expression was based on a creative and existential persistence in identifying art and life and with this approach he clearly demonstrated that subversion and inclination to experimentation in the formal visual language leads to finding solutions for complex and multi-layered artistic visions.<\/p>\n<p><span style=\"font-family: BrandonText-Bold, arial, helvetica, sans-serif;\"><strong>Selected solo exhibitions<\/strong><\/span><\/p>\n<p>2024<br \/>\n<em>Festival steirischerherbst\u201924<\/em>: Horror Patriae Neue Galerie Graz and Helmut List Halle, Graz, Austria<\/p>\n<p>2021<br \/>\n<em>The Non-Canonical Gospel according to Tomislav Gotovac* *also known as Antonio G. Lauer, curated by Pierre Bal-Blanc,&nbsp;<\/em>National Gallery of Arts, Tirana, Albania.<\/p>\n<p>2019<br \/>\n<em>Tomislav Gotovac: Film Retrospective, curated by Diana Nenadi\u0107,&nbsp;<\/em>Austrian Film Museum, Vienna, Austria.<br \/>\n<em>Tomislav Gotovac: Film by All Means<\/em>, Apoteka \u2013 Space for Contemporary Art, Vodnjan, Croatia.<br \/>\n<em>Tomislav Gotovac: Writing and Reading<\/em>, Art Workshop Lazareti, Dubrovnik, Croatia.<\/p>\n<p>2018<br \/>\n<em>Retrospective Tomislav Gotovac: Don\u2019t Ask Where We\u2019re Going<\/em>, City Gallery of Ljubljana \u2013 MGML, Ljubljana, Slovenia.<\/p>\n<p>2017<br \/>\n<em>Retrospective Tomislav Gotovac \/ Crisis Anticipator \u2013 Don\u2019t Ask Where We\u2019re Going<\/em>, \u00dast\u00ed nad Labem House of Arts, \u00dast\u00ed nad Labem, Czech Republic.<br \/>\n<em>A Retrospective Exhibition: Tomislav Gotovac: Crisis Anticipator \u2013 Don&#8217;t Ask Where We\u2019re Going<\/em>, Museum of Modern and Contemporary Art, Rijeka, Croatia.<br \/>\n<em>Tomislav Gotovac: Marshal Tito Square, I love you!<\/em>, Institute for Contemporary Art Zagreb, Croatia.<\/p>\n<p>2016<br \/>\n<em>Circles<\/em>, Galerija Gregor Podnar, Berlin, Germany.<\/p>\n<p>2015<br \/>\n<em>Tomislav Gotovac: Reading Daily Mail<\/em>, Institute for Contemporary Art, Zagreb, Croatia.<\/p>\n<p>2014<br \/>\n<em>Newspaper Art by Tomislav Gotovac<\/em>, P74 Gallery, Ljubljana, Slovenia.<br \/>\n<em>Tomislav Gotovac: Public and Intimate<\/em>, Alexander Gray Associates, New York, USA.<br \/>\n<em>Artists, Amateurs, Alternative Spaces: Experimental Cinema in Eastern Europe 1960-1990<\/em>,<br \/>\nNational Gallery of Art, Washington DC, USA.<br \/>\n<em>Tomislav Gotovac: Total Gotovac<\/em>, Espaivisor, Valencia, Spain.<br \/>\n<em>Tomislav Gotovac: Pure Words<\/em>, Galerie Michaela Stock, Vienna, Austria.<\/p>\n<p>2013<br \/>\n<em>Zagreb, I love you! by Tomislav Gotovac in frame of Ivan Posavec<\/em>, Radni\u010dka Galerija, Zagreb, Croatia.<br \/>\n<em>Speak quietly<\/em>, Filmprogramm, Kunsthalle Wien Karlsplatz, Vienna, Austria.<\/p>\n<p>2012<br \/>\n<em>Zagreb, I love you!<\/em>, galerie frank elbaz, Paris, France.<br \/>\n<em>It all started on the Rio Grande, where I Was a Male War Bride and saw the Tragic Hunt on the Battle Ground and heard The Glenn Miller Story<\/em>, Instytut Awangardy \/ Edward Krasinski Studio, Warsaw, Poland.<br \/>\n<em>Tomislav Gotovac a.k.a. Antonio G. Lauer: One Needs to Live Self Confidently\u2026Watching<\/em>,<br \/>\nGalerija Nova, Zagreb, Croatia.<\/p>\n<p>2011<br \/>\n<em>Tom &amp; Tom presents: Divine Engine, Outside (Hardware)<\/em>, Muzej Mimara, Zagreb, Croatia.<\/p>\n<p>2009<br \/>\n<em>Gone with the Wind<\/em>, Museum of Modern Art, Mala galerija, Ljubljana, Slovenia.<\/p>\n<p>2008<br \/>\n<em>Kraji\u0161ka 29<\/em>, Gallery Waldinger, Osijek, Croatia.<\/p>\n<p>2006<br \/>\n<em>Steel Net<\/em>, Modern Gallery, Studio Josip Ra\u010di\u0107, Zagreb, Croatia.<\/p>\n<p>2005<br \/>\n<em>Tomislav Gotovac a.k.a. Antonio G. Lauer<\/em>, Galerija Nova, Zagreb, Croatia.<\/p>\n<p>2003<br \/>\n<em>Speaking of Pictures<\/em>, Museum of Contemporary Art, Zagreb, Croatia.<\/p>\n<p>1994<br \/>\n<em>Point Blank, Installation and performances<\/em>, Franklin Furnace Archive, New York, USA.<br \/>\n<em>D\u00e9j\u00e0 vu Films of Tomislav Gotovac<\/em>, Kinoteka, Zagreb, Croatia.<\/p>\n<p>1992<br \/>\n<em>Point Blank<\/em>, Karas Gallery Salon, Zagreb, Croatia.<\/p>\n<p>1990<br \/>\n<em>Hot water, collages and films<\/em>, Moderna Vremena Bookstore, Zagreb, Croatia.<\/p>\n<p>1988<br \/>\n<em>Collages<\/em>, Dom JNA Gallery, Zagreb, Croatia.<br \/>\n<em>Collages<\/em>, Sesame Gallery, Dubrovnik, Croatia.<\/p>\n<p>1986<br \/>\n<em>Paranoia View art, Retrospective of Documents 1956-1986<\/em>, DDT Gallery, Zagreb, Croatia.<\/p>\n<p>1984<br \/>\n<em>Twenty Years Before Collages 1964 (II)<\/em>, PM Gallery, Zagreb, Croatia.<\/p>\n<p>1982<br \/>\n<em>Reading the Daily News<\/em>, Galerija \u0160kuc, Zagreb, Croatia.<\/p>\n<p>1981<br \/>\n<em>Films \u2013 Komunales Kino<\/em>, Frankfurt, Duisburg, Dortmund, Hamburg, Berlin, Munich, Germany; Vienna, Austria.<\/p>\n<p>1979<br \/>\n<em>Collages 1964<\/em>, Studio of Gallery of Contemporary Art Gallery, Zagreb, Croatia.<br \/>\n<em>Films, Screenings<\/em>, Netherlands Filmmuseum, Amsterdam, Netherlands.<br \/>\nShaffy Theatre, Amsterdam, Netherlands.<br \/>\nFilm Huis, Utrecht, Netherlands.<br \/>\nGementemuseum, The Hague, Netherlands.<br \/>\nAkademia Minerva, Grongingen, Netherlands.<br \/>\nCentre Geourges Pompidou, Paris, France.<br \/>\nRijksmuseum Kr\u00f6ller-M\u00fcller, Otterlo, Netherlands.<br \/>\nFilm Makers Co-op, London, United Kingdom.<br \/>\nLondon College of Printing, London, United Kingdom.<br \/>\nSlade School of Fine Art, London, United Kingdom.<\/p>\n<p>1978<br \/>\n<em>Retrospective of films<\/em>, Kino-klub Zagreb, Zagreb, Croatia.<br \/>\n<em>Kino Zlatna vrata<\/em>, Split, Croatia.<br \/>\n<em>Films<\/em>, Galeria Sztuki LDK Labirynt, Lublin, Poland. (on tour: Lodz &amp; Warsaw, Poland)<\/p>\n<p>1977<br \/>\n<em>Films of Tomislav Gotovac<\/em>, MM Center SC, Zagreb, Croatia.<\/p>\n<p>1976<br \/>\n<em>Tomislav\u00ae<\/em>, Gallery of the Student Cultural Centre (SKC), Belgrade, Serbia.<\/p>\n<p><span style=\"font-family: BrandonText-Bold, arial, helvetica, sans-serif;\"><strong> Selected group exhibitions\/screenings<\/strong><\/span><\/p>\n<p>2024<br \/>\n<em>Multiple Realities: Experimental Art in the Eastern Bloc<\/em>, 1960s\u20131980s Group Exhibition, Phoenix Art Museum, USA<\/p>\n<p>2023<br \/>\n<em>Body and Territory<\/em><br \/>\nCross-border Dialogues. A cooperation with MSU Zagreb<br \/>\nKunsthaus Graz in cooperation with MSU Zagreb<\/p>\n<p>2019<br \/>\n<em>Total portrait of the city. Tomislav Gotovac and J\u00falius Koller in conversation with Vjenceslav Richter. Curated by Daniel&nbsp;<\/em><em><span class=\"s1\">Gr\u00fa\u0148,&nbsp;<\/span><\/em>Vjenceslav Richter Collection, Zagreb, Croatia.<br \/>\n<em>Collective Exhibition for a Single Body \u2013 The Private Score \u2013 Vienna 2019<\/em>, Haus Wittgenstein, Lidl Filiale Wiedner Hauptstra\u00dfe, Tanzquartier, Vienna, Austria.<br \/>\n<em>Poetry and Performance. Eastern European Perspective<\/em>, Motorenhalle, Dresden, Germany.<br \/>\n<em>1989. The End of the 20th Century<\/em>, IVAM Institut Valenci\u00e0 d&#8217;Art Modern, Valencia, Spain.<\/p>\n<p>2018<br \/>\n<em>Despite the Environment,&nbsp;<\/em>House of Croatian Artists, Zagreb, Croatia.<br \/>\n<em>Poetry and Performance. Eastern European Perspective<\/em>, Shedhalle, Zurich, Switzerland.<br \/>\n<em>(In)Constancy of Space \u2013 Spaces of Narration and Imagination<\/em>, Museum of Fine Arts, Osijek, Croatia.<br \/>\n<em>The body in action \u2013 Performative practices in photography and video from the Museum of Modern and Contemporary Art\u2019s Collection,&nbsp;<\/em>Museum of Modern and Contemporary Art, Rijeka, Croatia.<br \/>\n<em>(In)Constancy of Space \u2013 Spaces of Narration and Imagination, <\/em>House of HDLU, Zagreb, Croatia.<br \/>\n<em>Farewell to Spring: Revolutionary Youth Magazines, 1968. Nr 2,&nbsp;<\/em>Galeria Centralis \/ Vera and Donald Blinken Open Society Archives, Budapest, Hungary.<br \/>\n<em>Stranger than Paradise,&nbsp;<\/em>MeetFactory, Prague, Czech Republic.<br \/>\n<em>CUT \/ REZ \u2013 Examples of collage in artistic practices in Central and Eastern Europe from the Avant-garde until today,&nbsp;<\/em>Museum of Contemporary Art, Zagreb, Croatia.<br \/>\n<em>18th Art Biennial: Agents of Space<\/em>, The Cultural Centre \u2013 Gallery of Contemporary Art, Pan\u010devo, Serbia.<br \/>\n<em>Face to Face with The Winner<\/em>, Gallery ULUS, Belgrade, Serbia.<br \/>\n<em>Expanded Photography<\/em>, Gallery Spot, Zagreb, Croatia.<br \/>\n<em>Sixties in Croatia \u2013 Myth and Reality<\/em>, Museum of Arts and Crafts, Zagreb, Croatia.<br \/>\n<em>Left Performance Histories<\/em>, Neue Gesellschaft f\u00fcr bildende Kunst, Berlin, Germany.<\/p>\n<p>2017<br \/>\n<em>Tomislav Gotovac: I&#8217;m innocent!<\/em>,&nbsp;Art-Kino, Rijeka, Croatia.<br \/>\n<em>Everything we see could also be otherwise (My sweet little lamb)<\/em>, The Showroom, London, United Kingdom.<br \/>\n<em>Sequences. Art of Yugoslavia and Serbia from the collection of the Museum of Contemporary Art<\/em>, Belgrade, Serbia.<br \/>\n<em>Showing Tomislav Gotovac<\/em>, Gallery of Fine Arts, Osijek, Croatia.<br \/>\n<em>OFF-Biennale Budapest<\/em>, Budapest, Hungary.<br \/>\n<em>documenta 14<\/em>, Athens, Greece.<br \/>\n<em>documenta 14<\/em>, Kassel, Germany.<br \/>\n<em>Forms and Politics of Yugoslav Experimental Film<\/em>, Pera Museum, Istanbul, Turkey.<br \/>\n<em>Non-Aligned Art \u2013 Marinko Sudac Collection<\/em>, Ludwig Museum, Budapest, Hungary.<br \/>\n<em>Der Canaletto Blick.<\/em> Erste Campus, Vienna, Austria.<br \/>\n<em>Symptoms of Society<\/em>, Guandong Museum of Art, Guangzhou, China.<\/p>\n<p>2016<br \/>\n<em>Cold Front from the Balkans<\/em>, Pera Museum, Istanbul, Turkey.<br \/>\n<em>My sweet little lamb (Everything we see could also be otherwise)<\/em>, Galerija Nova and other venues, Zagreb, Croatia.<br \/>\n<em>Non-Aligned Modernity. Eastern-European Art from the Marinko Sudac Collection<\/em>, FM Centro per l&#8217;Arte Contemporanea, Milan, Italy.<br \/>\n<em>Art in Europe 1945\u20131968: Facing the Future<\/em>,<em>&nbsp;<\/em>ZKM Center for Art and Media, Karlsruhe, Germany.<br \/>\n<em>Monuments Should Not Be Trusted: Art and Society in Yugoslavia from the 1960s to 1980s<\/em>, Nottingham Contemporary, Nottingham, United Kingdom.<\/p>\n<p>2015<br \/>\n<em>Construction to Transmission: Art in Eastern Europe and Latin America 1960\u20131980<\/em>, MoMA- Museum of Modern Art, New York, USA.<br \/>\n<em>Art of Appropriation \/ Interpictoriality \/ Performance<\/em>, Galerie Michaela Stock, Vienna, Austria.<br \/>\n<em>Artists, Amateurs, Alternative Spaces: Experimental Cinema in Eastern Europe 1960-1990<\/em>, Brooklyn Academy of Music, New York, USA.<br \/>\n<em>Avant-Garde Cinema from Ex-Yugoslavia: 1950s-80s<\/em>, Northwest Film Forum, Seattle, USA.<br \/>\n<em>Appropriation \/ Performance \/ part 1<\/em>, Galerie Michaela Stock, Vienna, Austria.<br \/>\n<em>24 Days of Croatian Film<\/em>, Kino Tu\u0161kanac, Zagreb, Croatia.<br \/>\n<em>L\u2019exp\u00e9 d\u2019un ex-pays: le cin\u00e9me d\u2019avant-garde en ex-Yoguslavie (1950-1980)<\/em>, Cin\u00e9math\u00e8que qu\u00e9b\u00e9coise, Montr\u00e9al, Canada.<br \/>\n<em>Eighties \u2014 Sweet Decadence of Postmodern<\/em>, Croatian Association of Artists (HDLU), Zagreb, Croatia.<br \/>\n<em>Gender as a Camera Performance<\/em>, Galeria Fotografii pf, Pozna\u0144, Poland.<br \/>\n<em>Yugoslav Avant-Garde Cinema 1950s-1980s: Ex-film from an Ex-Land<\/em>, Berkeley Art Museum and Pacific Film Archive, California, USA.<br \/>\n<em>Chercer le gar\u00e7on<\/em>, Mus\u00e9e d\u2019art contemporain du Val de Marne, Vitry-sur-Seine, France.<br \/>\n<em>My Body is the Event: Vienna Actionism and International Performance<\/em>, Museum Moderner Kunst, Vienna, Austria.<br \/>\n<em>Avant-Garde Cinema from Ex-Yugoslavia 1950s-80s<\/em>, Anthology Film Archives, New York, USA.<br \/>\n<em>Grammar of Freedom \/ 5 Lessons<\/em>, Garage Museum of Contemporary Art, Moscow, Russia.<br \/>\n<em>Art has no alternative (An Archive of Artists in Action)<\/em>, tranzit.sk, Bratislava, Slovakia.<\/p>\n<p>2014<br \/>\n<em>Anarchy. Utopia. Revolution \/ Filmclub related to the exhibition<\/em>, Ludwig Museum, Budapest, Hungary.<br \/>\n<em>Vlado Kristl 2: Croatian Avant-Garde<\/em>, Tate Modern, London, UK.<br \/>\n<em>Death: the Beginning of the End or the End of the Beginning<\/em>, 7. Zagrebi! Festival, Zagreb, Croatia.<br \/>\n<em>Personal Cuts: Art Scene in Zagreb From 1950s to Now<\/em>, Mus\u00e9e d\u2019Art Contemporain, N\u00eemes, N\u00eemes,&nbsp;France.<br \/>\n<em>50 Artists from the Collection of the Museum of Contemporary Art \u2014 Yugoslav Art from 1951 to 1989<\/em>, Heritage House, Belgrade, Serbia.<br \/>\n<em>artevida: corpo [body]<\/em>, curated by Adirano Pedrosa and Rodrigo Moura, Funda\u00e7\u00e3o Casa Fran\u00e7a-Brasil, Rio de Janeiro, Brasil.<br \/>\n<em>Le Mouvement: Performing the City, The City Performed<\/em>, Kunsthaus CentrePasquArt, Biel\/Bienne, Switzerland.<br \/>\nHelsinki Photography Biennal, Hippolyte Photographic Gallery, Helsinki, Finland.<br \/>\n<em>Report on the Construction of a Spaceship Module<\/em>, New Museum \/ Museum as Hub, New York, USA.<br \/>\n<em>Extravagant bodies: Extravagant age<\/em>, Museum of Modern and Contemporary Art, Rijeka, Croatia.<br \/>\nCultural Center, Belgrade, Serbia.<br \/>\n<em>The Present and Presence: Repetition 4\u2014Micro-political Situations<\/em>, Museum of Contemporary Art, Ljubljana, Slovenia.<\/p>\n<p>2013<br \/>\n<em>Biographical Forms. Construction and Individual Mythologies<\/em>, Museo Nacional Centro de Arte Reina Sof\u00eda, Madrid, Spain.<br \/>\n<em>Extravagant bodies: Extravagant age<\/em>, Klovi\u0107evi dvori, Zagreb, Croatia.<br \/>\n<em>Cinema by Other Means<\/em>, Muzej savremene umetnosti Belgrade \/ Galerija-legat Milice Zori\u0107 i Rodoljuba \u010colakovi\u0107a, Belgrade, Serbia.<br \/>\n<em>Video, television, anticipation<\/em>, Salon Muzeja savremene umetnosti, Belgrade, Serbia.<br \/>\n<em>\u2026 Was ist Kunst? \u2026 Resuming Fragmented Histories<\/em>, K\u00fcnstlerhaus Halle f\u00fcr Kunst &amp; Medien, Graz, Austria.<br \/>\n<em>The Naked Man<\/em>, Ludwig M\u00fazeum, Budapest, Hungary.<br \/>\n<em>Zero Point of Meaning. Non-functional, non-representational, elementary, experimental and conceptual photography in Croatia<\/em>, Camera Austria, Graz, Austria.<br \/>\n<em>Tomislav Gotovac &amp; Sandro \u0110uki\u0107: Speak Quietly<\/em>, Galerie Michaela Stock, Vienna, Austria.<br \/>\n<em>The Present and Presence: Repetition 3<\/em>, The Street, Museum of Contemporary Art Metelkova, Ljubljana, Slovenia.<\/p>\n<p>2012<br \/>\n<em>The Freedom of Sound: John Cage behind the Iron Curtain,<\/em> Ludwig M\u00fazeum, Budapest, Hungary.<br \/>\n<em>Nackte m\u00e4nner von 1800 bis heute \/ Nude Men from 1800 to the present<\/em>, Leopold Museum, Vienna, Austria.<br \/>\n<em>Der Nackte Mann \/ The Naked Man<\/em>, Lentos Kunstmuseum, Linz, Austria.<br \/>\n<em>The Present and Presence: Repetition 2<\/em>, Museum of Contemporary Art Metelkova, Ljubljana, Slovenia.<br \/>\n<em>Week-end croate \/ Croatian Weekend<\/em>, MAC\/VAL Mus\u00e9e d&#8217;art contemporain du Val-de-Marne, Vitry-sur-Seine, France.<br \/>\n<em>Zagreb kino klub, Performance, action &amp; film<\/em>, Centre Georges Pompidou, Cinema 2, Paris, France.<br \/>\n<em>Yugoslav Experimental cinema<\/em>, Anthology Film Archive, New York, USA.<br \/>\n<em>The Present and Presence: Repetition 1<\/em>, Museum of Contemporary Art Metelkova, Ljubljana, Slovenia.<br \/>\n<em>Spirit of Internationalism<\/em>, Van Abbemuseum, Eindhoven, Netherlands.<br \/>\n<em>Una sexta parte de la Tierra. Ecolog\u00edas de la Imagen \/ One Sixth of the Earth. Ecologies of Image<\/em>, MUSAC- Museo de Arte Contempor\u00e1neo de Castilla y Le\u00f3n, Le\u00f3n, Spain.<\/p>\n<p>2011<br \/>\n<em>Zero Point of Meaning. Non-functional, non-representational, elementary, experimental and conceptual photography in Croatia<\/em>, Umjetni\u010dki paviljon, Zagreb, Croatia.<br \/>\n<em>Museu de les narratives paral-leles \/ Museum of Parallel Narratives<\/em>, Museu d\u2019Art Contemporani, Barcelona, Spain.<br \/>\n<em>We can&#8217;t promise to do more than an experiment: Experimental film and beyond in Yugoslavia in 60s and 70s<\/em>, Museu d\u2019Art Contemporani, Barcelona, Spain.<br \/>\n<em>Tomislav Gotovac a.k.a. Antonio G. Lauer &amp; BadCo.<\/em>, Croatian Pavilion, 54<sup>th<\/sup> Biennale di Venezia, Venice, Italy.<br \/>\n<em>Zagreb, I love you!<\/em>, Galerija Klovi\u0107evi dvori, Zagreb, Croatia.<br \/>\n<em>Accomplices. The Photographer and the Artist around 1970<\/em>, Museum of Modern Art, Warsaw, Poland.<br \/>\n<em>Socialism and Modernity: Art, Culture and Politics 1950-1974<\/em>, Museum of Contemporary Art, Zagreb, Croatia.<br \/>\n<em>Museum of Affects. In the framework of L&#8217;Internationale<\/em>, Museum of Contemporary Art Metelkova, Ljubljana, Slovenia.<br \/>\n<em>Festival des Cin\u00e9mas Diff\u00e9rents et Exp\u00e9rimentaux de Paris<\/em>, Cin\u00e9ma Les Vo\u00fbtes, Paris, France.<\/p>\n<p>2010<br \/>\n<em>Promises of the Past. A Discontinuous History of Art in Former Eastern Europe<\/em>, Centre Georges Pompidou, Paris, France.<br \/>\n<em>As Soon as I Open My Eyes I See a Film<\/em>, former Gallery of Contemporary Art, Zagreb, Croatia.<br \/>\n<em>Workers Leaving the Workplace<\/em>, Muzeum Sztuki, Lodz, Poland.<br \/>\n<em>This is all film: Experimental film in Yugoslavia 1951-1991<\/em>, Museum of Modern Art, Ljubljana, Slovenia.<br \/>\n<em>An Idea for Living, Realism and Reality in Contemporary Art in Slovenia<\/em>, U3 \u2013 Triennial of Contemporary Slovenian Art, Ljubljana, Slovenia.<br \/>\n<em>Gender Check &#8211; Femininity and Masculinity in the Art of Eastern Europe,<\/em> Zacheta National Gallery of Art, Warsaw, Poland.<br \/>\n<em>Masqu\u00e9<\/em>, Magazin4, Bregenzer Kunstverein, Bregenz, Austria.<\/p>\n<p>2009<br \/>\n<em>As soon as I open my eyes I see a film: Experiment in the Art of Yugoslavia in the 60&#8217;s and 70&#8217;s<\/em>, Visual Introspection Center, Bucharest, Romania.<br \/>\n<em>Gender Check \u2013 Femininity and Masculinity in the Art of Eastern Europe<\/em>, Museum Moderner Kunst Stiftung Ludwig, Wien, Austria.<br \/>\n<em>Performing the East<\/em>, Salzburger Kunstverein, Salzburg, Austria.<\/p>\n<p>2008<br \/>\n<em>Kontakt&#8230; Works from the Art Collection of Erste Bank Group,<\/em> Institute of Contemporary Art, Duna\u00fajv\u00e1ros, Hungary.<br \/>\n<em>Why here is always somewhere else,<\/em> Badischer Kunstverein, Karlsruhe, Germany.<br \/>\n<em>Cutting Realities. Gender Strategies in Art<\/em>, Austrian Cultural Forum, New York, USA.<br \/>\n<em>As soon as I open my eyes I see a film: Experiment in the Art of Yugoslavia in the 60&#8217;s and 70&#8217;s<\/em>, Museum of Modern Art, Warsaw, Poland.<\/p>\n<p>2007<br \/>\n<em>Romantischer Konzeptualismus<\/em>, Bawag Contemporary, Bawag Foundation, Vienna, Austria.<br \/>\nKunsthalle N\u00fcrnberg, N\u00fcrnberg, Germany.<br \/>\n<em>Kontakt Belgrade\u2026 works from the Collection of Erste Bank Group<\/em>, Museum of Contemporary Art, Belgrade, Serbia.<br \/>\n<em>On unknown Works<\/em>, Galerija \u0160KUC, Ljubljana, Slovenia.<\/p>\n<p>2006<br \/>\n<em>Antonio Lauer: Stupid Antonio presents<\/em>, Galerija Klovi\u0107evi dvori, Zagreb, Croatia.<br \/>\n<em>On unknown works,<\/em> Galerija Nova, Zagreb, Croatia.<br \/>\nGalerija Otok, Dubrovnik, Croatia.<br \/>\nGalerija \u0160KUC, Ljubljana, Slovenia.<\/p>\n<p>2005<br \/>\n<em>EAST ART MUSEUM. An exhibition of the East Art Map, A (Re)Construction of the History of Contemporary Art in Eastern Europe<\/em>, Karl Ernst Osthaus-Museum, Hagen, Germany.<br \/>\nInsert, Museum of Contemporary Art, Zagreb, Croatia.<br \/>\nMuseum of Modern and Contemporary Art, Rijeka, Croatia.<br \/>\n<em>Kontakt \u2013 &#8230; aus der Sammlung der Erste Bank-Gruppe<\/em>, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria.<\/p>\n<p>2004<br \/>\n<em>Collected Views from East of West<\/em>, Generali Foundation, Vienna, Austria.<br \/>\n<em>Flipside<\/em>, Artists Space, New York, USA.<br \/>\n<em>Arteast 2000+, selection of works from international and national collection<\/em>, Museum of Modern Art, Ljubljana, Slovenia.<br \/>\n<em>Ailleurs, ici<\/em>, Mus\u00e9e d&#8217;Art Moderne de la Ville de Paris (ARC), Paris, France.<\/p>\n<p>2003<br \/>\n<em>In the Gorges of the Balkans<\/em>, Kunsthalle Fridericianum, Kassel, Germany.<br \/>\n<em>Utopia Station<\/em>, 50<sup>th<\/sup> Biennale di Venezia, Venice, Italy.<br \/>\n<em>Marking the Territory<\/em>, Irish Museum of Modern Art, Dublin, Ireland.<br \/>\n<em>The Slowness of Light<\/em>, Kyoto Biennale, Kyoto, Japan.<\/p>\n<p>2002<br \/>\n<em>The Misfits,<\/em> Expo Park, Moscow Kunstraum Kreuzberg \/ Bethanien, Berlin, Germany.<br \/>\nMuzej na sovremenata umetnost, Skopje, Macedonia.<br \/>\n<em>Here Tomorrow<\/em>, Glyptotheque, Sculpture Museum, Zagreb, Croatia.<br \/>\n<em>In search of Balkania<\/em>, Neue Galerie Graz, Universalmuseum Joanneum, Graz, Austria.<br \/>\n<em>Helle N\u00e4chte<\/em>, Stadtkino, Basel, Switzerland.<br \/>\n<em>ARTEAST 2000+ The Art of Eastern Europe<\/em>, ZKM, Karlsruhe, Germany.<br \/>\n\u010cifte amam, Skopje, Macedonia.<\/p>\n<p>2001<br \/>\n<em>Ausgetr\u00e4umt &#8230;<\/em>, Wiener Secession, Vienna, Austria.<br \/>\n<em>Retrospective of Croatian experimental film<\/em>, S\u00e3o Paolo, Brazil.<br \/>\n<em>Digital Orgy: The Third Bangkok Experimental Film Festival<\/em>, Bangkok, Thailand.<br \/>\n<em>Body and the East<\/em>, Exit Art, New York, USA.<br \/>\n<em>ARTEAST 2000+ The Art of Eastern Europe<\/em>, Orangerie Congress, Innsbruck, Austria.<br \/>\n<em>What, how and for whom \u2013 on the occasion of 153<sup>rd<\/sup> anniversary of Communist Manifesto<\/em>, Kunsthalle Exnergasse, Vienna, Austria.<br \/>\n<em>Project Broadcasting: dedicated to Nikola Tesla<\/em>, Tehni\u010dki muzej, Zagreb, Croatia.<\/p>\n<p>2000<br \/>\n<em>2000+ The Art of Eastern Europe in Dialogue with the West<\/em>, Museum of Modern Art, Ljubljana, Slovenia.<br \/>\n<em>What, how and for whom \u2013 on the occasion of 152<sup>nd<\/sup> anniversary of Communist Manifesto<\/em>, Dom hrvatskih umjetnika, Zagreb, Croatia.<br \/>\n<em>Small country for a big vacation<\/em>, Galerija \u0160kuc, Ljubljana, Slovenia.<\/p>\n<p>1999<br \/>\n<em>Aspects\/Positions: 50 Years of Art in Central Europe&nbsp;<\/em> Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria.<br \/>\n20er Haus, Vienna, Austria.<br \/>\nLudwig M\u00fazeum, Budapest, Hungary.<br \/>\nFundaci\u00f3 Joan Mir\u00f3, Barcelona, Spain.<br \/>\nHansard Gallery, Southampton, United Kingdom.<br \/>\nCity Gallery, Southampton, United Kingdom.<\/p>\n<p>1998<br \/>\n<em>Avant-Garde Film and Video of Central Europe<\/em>, London, United Kingdom.<br \/>\n<em>Body and the East<\/em>, Museum of Modern Art, Ljubljana, Slovenia.<br \/>\n<em>33<sup>rd<\/sup> Zagreb Salon: Cityscape<\/em>, Klovi\u0107evi dvori, Zagreb, Croatia.<\/p>\n<p>1994<br \/>\n<em>Keep that Frequency Clear<\/em>, Dom hrvatskih likovnih umjetnika, Zagreb, Croatia.<br \/>\n<em>Words &amp; Images<\/em>, Museum of Contemporary Art, Zagreb, Croatia.<\/p>\n<p>1992<br \/>\n<em>Requiem in Croatia<\/em>, Art radionica Lazareti, Galerija Sesame, Dubrovnik, Croatia.<\/p>\n<p>1991<br \/>\n<em>Artist in the Landscape of War<\/em>, Museum of Contemporary Art, Zagreb, Croatia.<br \/>\n<em>For Defense and Reconstruction of Croatia<\/em>, Umjetni\u010dki paviljon, Zagreb, Croatia.<\/p>\n<p>1990<br \/>\n<em>Avant-Gardes Yougoslaves \/ Yugoslav Avant-Garde<\/em>, Mus\u00e9e d&#8217;Art, Toulon, France.<br \/>\nMus\u00e9e des Beaux- Arts, Carcassonne, France.<br \/>\nMus\u00e9e de l&#8217;Abbaye Sainte Croix, Les Sables d&#8217;Olonne, France.<br \/>\n<em>Rhetorical Image<\/em>, New Museum of Contemporary Art, New York, USA.<\/p>\n<p>1988<br \/>\n<em>Glass Submarine<\/em>, Minoriten Kirche, Krems\/Stein, Austria.<\/p>\n<p>1987<br \/>\n<em>Glamour Behind the Velvet Curtain: Egoist Arts &amp; Parts<\/em>, Galleria Il Diaframma, Milano, Italy.<\/p>\n<p>1980<br \/>\n<em>The New Aspects of European&nbsp;Experimental Cinema<\/em>, Cinema Ritz, Il Gergo Inquieto, Genova, Italy.<\/p>\n<p>1980<br \/>\n<em>New Screenings<\/em>, Museum of Modern Art, Oxford, United Kingdom.<\/p>\n<p>1979<br \/>\n<em>2<sup>nd<\/sup> New Exhibition in Podroom<\/em>, Podroom, Zagreb, Croatia.<br \/>\n<em>Sequences<\/em>, SKC Gallery, Belgrade, MM Center SC, Zagreb, Croatia.<br \/>\n<em>Themes and Functions of the Medium of Photography<\/em>, Museum of Contemporary Art, Belgrade, Serbia.<br \/>\n<em>Experiment &#8217;79<\/em>, Stedelijk Museum, Amsterdam, Netherlands.<br \/>\n<em>Works and Words<\/em>, De Appel, Amsterdam, Netherlands.<\/p>\n<p>1978<br \/>\n<em>Posters \/ Works by artists<\/em>, Museum of Contemporary Art Salon, Belgrade, Serbia.<br \/>\nSalon Tribine mladih, Novi Sad, Serbia.<br \/>\n<em>For Art in Mind<\/em>, Podroom, Zagreb, Croatia.<br \/>\nMotovun Art Meetings, Motovun, Croatia.<br \/>\n<em>Works in Podroom<\/em>, Podroom, Zagreb, Croatia.<br \/>\n<em>The New Art Practice in Yugoslavia 1966 \u2013 1978<\/em>, Gallery of Contemporary Art, Zagreb, Croatia.<br \/>\n<em>T-6 New Tendencies 6<\/em>, Centre for Culture and Information, Zagreb, Croatia.<\/p>\n<p>1976<br \/>\n<em>New Photography 2: Photography as Art, Salon of Museum of Contemporary Art,<\/em> CEFFT, Zagreb, Croatia.<br \/>\nRazstavni salon Rotov\u017e, Maribor, Slovenia.<\/p>\n<p>1970<br \/>\n4<sup>th<\/sup> Genre Film Festival GEFF, Zagreb, Croatia.<\/p>\n<p>1967<br \/>\n3<sup>rd<\/sup> Genre Film Festival GEFF, Zagreb, Croatia.<\/p>\n<p>1965<br \/>\n2<sup>nd<\/sup> Genre Film Festival GEFF, Zagreb, Croatia.<\/p>\n<p>1963<br \/>\n1<sup>st<\/sup> Genre Film Festival GEFF, Zagreb, Croatia.<\/p>\n<p><span style=\"font-family: BrandonText-Bold, arial, helvetica, sans-serif;\"><strong>Public collections<\/strong><\/span><\/p>\n<p>Kontakt. The Art Collection of Erste Group, Vienna, Austria.<br \/>\nMuseum of Modern and Contemporary Art, Rijeka, Croatia.<br \/>\nCultural Center, Vela Luka, Croatia.<br \/>\nNational Museum, Zadar, Croatia.<br \/>\nMuseum of Contemporary Art, Zagreb, Croatia.<br \/>\nModern Gallery, Zagreb, Croatia.<br \/>\nCentre Georges Pompidou, Mus\u00e9e National d\u2019Art Moderne, Paris, France.<br \/>\nMuseum of Contemporary Art, Belgrade, Serbia.<br \/>\nMuseum of Modern Art, Ljubljana, Slovenia.<br \/>\nMoMA &#8211; Museum of Modern Art, New York, USA.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<style type=\"text\/css\"><!-- p.p1 {margin: 0.0px 0.0px 12.0px 0.0px; line-height: 14.0px; font: 11.0px 'Brandon Text'; -webkit-text-stroke: #444444} span.s1 {font-kerning: none; -webkit-text-stroke: 0px #000000} span.s2 {font-kerning: none} --><\/style>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Born in Sombor, Serbia in 1937 and died in Zagreb, Croatia in 2010. Gotovac is considered the precursor of performance art in Croatia and the former Yugoslavia, and an important figure in the development of the artistic avant-garde in Europe during the 1960s and 1970s. He began his career with works in photographic medium and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"gp-artist.php","meta":{"inline_featured_image":false,"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-5542","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/pages\/5542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/comments?post=5542"}],"version-history":[{"count":94,"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/pages\/5542\/revisions"}],"predecessor-version":[{"id":12868,"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/pages\/5542\/revisions\/12868"}],"wp:attachment":[{"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/media?parent=5542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}