{"id":9671,"date":"2020-12-10T15:54:01","date_gmt":"2020-12-10T15:54:01","guid":{"rendered":"http:\/\/gregorpodnar.com\/?page_id=9671"},"modified":"2024-01-12T11:42:50","modified_gmt":"2024-01-12T10:42:50","slug":"nobuko-tsuchiya","status":"publish","type":"page","link":"https:\/\/www.gregorpodnar.com\/cms\/nobuko-tsuchiya\/","title":{"rendered":"Nobuko Tsuchiya"},"content":{"rendered":"<style>#jtg-12037 .modula-item .jtg-social a, .lightbox-socials.jtg-social a{ fill: #ffffff; color: #ffffff }#jtg-12037 .modula-item .jtg-social-mobile a{ fill: #ffffff; color: #ffffff }#jtg-12037 .modula-item .jtg-social svg, .lightbox-socials.jtg-social svg { height: 16px; width: 16px }#jtg-12037 .modula-item .jtg-social-mobile svg { height: 16px; width: 16px }#jtg-12037 .modula-item .jtg-social a:not(:last-child), .lightbox-socials.jtg-social a:not(:last-child) { margin-right: 10px }#jtg-12037 .modula-item .jtg-social-mobile .jtg-social-mobile-icons a:not(:last-child){ margin-right: 10px }#jtg-12037 .modula-item .figc {}#jtg-12037 .modula-item .modula-item-content { transform: scale(1) }#jtg-12037 .modula-items .figc p.description { color:;}#jtg-12037.modula-gallery .modula-item > a, #jtg-12037.modula-gallery .modula-item, #jtg-12037.modula-gallery .modula-item-content > a:not(.modula-no-follow) { cursor:zoom-in; } #jtg-12037.modula-gallery .modula-item-content .modula-no-follow { cursor: default; } @media screen and (max-width:480px){#jtg-12037 .modula-item .figc .jtg-title {  font-size: 12px; }#jtg-12037 .modula-items .figc p.description { color:;font-size:0px; }}<\/style>\n<!-- Gallery Container -->\n<div  id=\"jtg-12037\" class=\"modula modula-gallery modula-custom-grid\" data-config=\"{&quot;height&quot;:0,&quot;tabletHeight&quot;:0,&quot;mobileHeight&quot;:0,&quot;desktopHeight&quot;:0,&quot;enableTwitter&quot;:false,&quot;enableWhatsapp&quot;:false,&quot;enableFacebook&quot;:false,&quot;enablePinterest&quot;:false,&quot;enableLinkedin&quot;:false,&quot;enableEmail&quot;:false,&quot;randomFactor&quot;:0,&quot;type&quot;:&quot;custom-grid&quot;,&quot;columns&quot;:12,&quot;gutter&quot;:10,&quot;mobileGutter&quot;:10,&quot;tabletGutter&quot;:10,&quot;desktopGutter&quot;:10,&quot;enableResponsive&quot;:&quot;0&quot;,&quot;tabletColumns&quot;:&quot;2&quot;,&quot;mobileColumns&quot;:&quot;1&quot;,&quot;lazyLoad&quot;:&quot;1&quot;,&quot;lightboxOpts&quot;:{&quot;animated&quot;:true,&quot;Thumbs&quot;:{&quot;type&quot;:&quot;modern&quot;,&quot;showOnStart&quot;:false},&quot;Toolbar&quot;:{&quot;display&quot;:{&quot;right&quot;:[&quot;close&quot;]},&quot;enabled&quot;:true},&quot;Carousel&quot;:{&quot;Panzoom&quot;:{&quot;touch&quot;:false},&quot;infinite&quot;:false},&quot;keyboard&quot;:{&quot;Escape&quot;:&quot;close&quot;,&quot;Delete&quot;:&quot;close&quot;,&quot;Backspace&quot;:&quot;close&quot;,&quot;PageUp&quot;:false,&quot;PageDown&quot;:false,&quot;ArrowUp&quot;:false,&quot;ArrowDown&quot;:false,&quot;ArrowRight&quot;:false,&quot;ArrowLeft&quot;:false},&quot;touch&quot;:false,&quot;backdropClick&quot;:false,&quot;l10n&quot;:{&quot;CLOSE&quot;:&quot;Close&quot;,&quot;NEXT&quot;:&quot;Next&quot;,&quot;PREV&quot;:&quot;Previous&quot;,&quot;Error&quot;:&quot;The requested content cannot be loaded. 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data-image-id=\"12043\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-12037\" data-caption=\"Nobuko Tsuchiya, North West Passage, 2008 mixed media, 160x210x105cm Photo: Eric Tschernow\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12043 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/TSUCHIYA-Nobuko_North-West-Passage-2008_mixed-media_160x210x105cm_01.jpg\" title=\"Tsuchiya Nobuko, North West Passage, 2008 mixed media, 160x210x105cm \" width=\"300\" height=\"200\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/TSUCHIYA-Nobuko_North-West-Passage-2008_mixed-media_160x210x105cm_01-300x200.jpg\" data-caption=\"Nobuko Tsuchiya, North West Passage, 2008 mixed media, 160x210x105cm Photo: Eric Tschernow\" data-source=\"modula\" 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https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/TSUCHIYA-Nobuko_North-West-Passage-2008_mixed-media_160x210x105cm_01-624x416.jpg 624w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" data-width=\"2\" data-height=\"2\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t\t\t\n\t\t\t\t\t<a data-image-id=\"12044\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-12037\" data-caption=\"Nobuko Tsuchiya, Faster than Lights, Absinthe Machine 2, 2014_mixed media_12x15x13cm, Photo: Eric Tschernow\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12044 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/TSUCHIYA-Nobuko_Faster-than-Lights-Absinthe-Machine-2-2014_mixed-media_12x15x13cm.jpg\" title=\"TSUCHIYA Nobuko, Faster than Lights, Absinthe Machine 2, 2014_mixed media_12x15x13cm\" width=\"300\" height=\"224\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/TSUCHIYA-Nobuko_Faster-than-Lights-Absinthe-Machine-2-2014_mixed-media_12x15x13cm-300x224.jpg\" data-caption=\"Nobuko Tsuchiya, Faster than Lights, Absinthe Machine 2, 2014_mixed media_12x15x13cm, Photo: Eric Tschernow\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/TSUCHIYA-Nobuko_Faster-than-Lights-Absinthe-Machine-2-2014_mixed-media_12x15x13cm.jpg 1074w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/TSUCHIYA-Nobuko_Faster-than-Lights-Absinthe-Machine-2-2014_mixed-media_12x15x13cm-300x224.jpg 300w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/TSUCHIYA-Nobuko_Faster-than-Lights-Absinthe-Machine-2-2014_mixed-media_12x15x13cm-1024x766.jpg 1024w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/TSUCHIYA-Nobuko_Faster-than-Lights-Absinthe-Machine-2-2014_mixed-media_12x15x13cm-768x574.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/TSUCHIYA-Nobuko_Faster-than-Lights-Absinthe-Machine-2-2014_mixed-media_12x15x13cm-624x467.jpg 624w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" data-width=\"2\" data-height=\"2\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t\t\t\n\t\t\t\t\t<a data-image-id=\"12046\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-12037\" data-caption=\"Nobuko Tsuchiya, &#039;Sky juicer&#039; 30x28\u00d725cm aclylic, silicon tube, wool, steel 2022, Photo: Eric Tschernow\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12046 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/IMG_asegd.jpg\" title=\"&#039;Sky juicer&#039; 30x28\u00d725cm aclylic, silicon tube, wool, steel 2022\" width=\"245\" height=\"300\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/IMG_asegd-245x300.jpg\" data-caption=\"Nobuko Tsuchiya, &#039;Sky juicer&#039; 30x28\u00d725cm aclylic, silicon tube, wool, steel 2022, Photo: Eric Tschernow\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/IMG_asegd-scaled.jpg 2093w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/IMG_asegd-scaled-245x300.jpg 245w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/IMG_asegd-837x1024.jpg 837w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/IMG_asegd-768x939.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/IMG_asegd-1256x1536.jpg 1256w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/IMG_asegd-1674x2048.jpg 1674w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/IMG_asegd-624x763.jpg 624w\" data-sizes=\"(max-width: 245px) 100vw, 245px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div><div class=\"modula-item effect-pufrobo\" data-width=\"2\" data-height=\"2\" >\n\t<div class=\"modula-item-overlay\"><\/div>\n\n\t<div class=\"modula-item-content\">\n\n\t\t\t\t\n\t\t\t\t\t<a data-image-id=\"12047\" data-elementor-open-lightbox=\"no\" tabindex=\"0\" rel=\"jtg-12037\" data-caption=\"Nobuko Tsuchiya, 63, 2020, aluminum, steel, cotton, wool, paper, digital video, media player, 133 x 80 x 130 cm. Photo: Eric Tschernow\" aria-label=\"Open image in lightbox\" role=\"button\" class=\"tile-inner modula-item-link\"><\/a>\n\t\t\n\t\t<img loading=\"lazy\" class=\"pic wp-image-12047 lazyload\"  data-valign=\"middle\" data-halign=\"center\" alt=\"\" data-full=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/TSUCHIYA-Nobuko_63-2020-aluminum-steel-cotton-wool-paper-digital-video-media-player-133-x-80-x-130-cm.-Photo-by-Eric-Tschernow_2.jpg\" title=\"TSUCHIYA Nobuko 63, 2020, aluminum, steel, cotton, wool, paper, digital video, media player, 133 x 80 x 130 cm. Photo by Eric Tschernow_2\" width=\"225\" height=\"300\" data-src=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/TSUCHIYA-Nobuko_63-2020-aluminum-steel-cotton-wool-paper-digital-video-media-player-133-x-80-x-130-cm.-Photo-by-Eric-Tschernow_2-225x300.jpg\" data-caption=\"Nobuko Tsuchiya, 63, 2020, aluminum, steel, cotton, wool, paper, digital video, media player, 133 x 80 x 130 cm. Photo: Eric Tschernow\" data-source=\"modula\" data-srcset=\"https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/TSUCHIYA-Nobuko_63-2020-aluminum-steel-cotton-wool-paper-digital-video-media-player-133-x-80-x-130-cm.-Photo-by-Eric-Tschernow_2.jpg 850w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/TSUCHIYA-Nobuko_63-2020-aluminum-steel-cotton-wool-paper-digital-video-media-player-133-x-80-x-130-cm.-Photo-by-Eric-Tschernow_2-225x300.jpg 225w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/TSUCHIYA-Nobuko_63-2020-aluminum-steel-cotton-wool-paper-digital-video-media-player-133-x-80-x-130-cm.-Photo-by-Eric-Tschernow_2-768x1025.jpg 768w, https:\/\/www.gregorpodnar.com\/cms\/wp-content\/uploads\/2024\/01\/TSUCHIYA-Nobuko_63-2020-aluminum-steel-cotton-wool-paper-digital-video-media-player-133-x-80-x-130-cm.-Photo-by-Eric-Tschernow_2-624x832.jpg 624w\" data-sizes=\"(max-width: 225px) 100vw, 225px\" \/>\n\t\t<div class=\"figc\">\n\t\t\t<div class=\"figc-inner\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n<\/div>\t\t\n\t<\/div>\n\n\t\n\t\n\t<script type=\"application\/ld+json\">\n\t{\n\t\t\"@context\": \"http:\/\/schema.org\",\n\t\t\"@type\"   : \"ImageGallery\",\n\t\t\"id\"      : \"https:\/\/www.gregorpodnar.com\/cms\/nobuko-tsuchiya\/\",\n\t\t\"url\"     : \"https:\/\/www.gregorpodnar.com\/cms\/nobuko-tsuchiya\/\"\n\t}\n\n\t<\/script>\n\n\t\n<\/div>\n<p>Born in Yokohama, Japan. Lives and works in Japan.<\/p>\n<p>With her intuitive use of materials, Tsuchiya builds delicate elements and layers that become part of the landscape that make up the entirety of an individual sculptural work. Tsuchiya\u2019s visual language re\ufb02ects her intense understanding of the characteristics of different materials. In her work she approaches the parameters of their physical limitations to create the sensitive and challenging sculptural works. Tsuchiya precisely transforms ubiquitous objects and detritus materials into curious microcosms. Each fragment of her uninhibited and instinctive assemblages &#8211; every material surface, component and form &#8211; are in poetic dialogue with one another and the surrounding environment.<\/p>\n<h3><span style=\"font-family: BrandonText-Bold, arial, helvetica, sans-serif;\">Selected solo exhibitions<\/span><\/h3>\n<p>2023<br \/>\n<i>Stay as a Wave, <\/i>SCAI the Bathhouse, Tokyo, Japan<i><\/i><\/p>\n<p><i><\/i><span style=\"font-size: revert;\">2020<br \/>\n<\/span><em>,,,<\/em> , Gregor Podnar, Berlin, Germany<\/p>\n<p>2019<br \/>\n<em>30 Ways to Go to the Moon<\/em>, MOSTYN, Llandudno, Wales, UK<br \/>\n<em>30 Ways to Go to the Moon<\/em>,Yorkshire Sculpture International, Leeds City Art Gallery, UK<\/p>\n<p>2018<br \/>\n<em>30 Ways to Go to the Moon<\/em>, SCAI the Bathhouse, Tokyo, Japan<\/p>\n<p>2017<br \/>\n<em>Cactus Triple-Meter Cave<\/em>, Soko Komagome, SCAI the Bathhouse, Tokyo, Japan<br \/>\n<em>Performance:Parking fish project \u2013Vol. Tora-san<\/em>, Benito Juarez Market, Mexico<\/p>\n<p>2013<br \/>\n<em>Do white walls dream about a paler shade of white<\/em>, CAPSULE, Tokyo, Japan<br \/>\n<em>Nobuko Tsuchiya x kumagusuku \u201cAce of heart vol.7\u201d<\/em>, kumagusuku, Kagawa, Japan<\/p>\n<p>2011<br \/>\n<em>We are living in a time machine<\/em>, SCAI the Bathhouse, Tokyo, Japan<\/p>\n<p>2009<br \/>\n<em>Nobuko Tsuchiya<\/em>, Galerie Aline Vidal, Paris, France<\/p>\n<p>2008<br \/>\n<em>Nobuko Tsuchiya<\/em>, Anthony Reynolds Gallery, London, UK<\/p>\n<p>2007<br \/>\n<em>Dialogue I<\/em>, Galleria Enrico Fornello, Prato, Italy<br \/>\n<em>Once upon a time, in a distant place there was a parking fish project<\/em>, SCAI The Bathhouse, Tokyo, Japan<\/p>\n<p>2005<br \/>\n<em>Nobuko Tsuchiya<\/em>, Anthony Reynolds Gallery, London, UK<\/p>\n<p>2003<br \/>\n<em>Nobuko Tsuchiya<\/em>, Anthony Reynolds Gallery, London, UK<\/p>\n<h3><span style=\"font-family: BrandonText-Bold, arial, helvetica, sans-serif;\">Selected group exhibitions<\/span><\/h3>\n<p>2022<br \/>\n<em>New Entry. Vienna<\/em>, Gregor Podnar, Vienna, Austria<br \/>\nMATSUMOTO Architecture + Art Festival, Matsumoto, Japan<br \/>\n<em>Strange Attractor, <\/em>curated by Margarida Mendes,&nbsp;Pavilh\u00e3o Branco, Lisbon, Portugal<\/p>\n<p>2020<br \/>\n<em>Nissan Art Award<\/em>, Yokohama, Japan<\/p>\n<p>2019<br \/>\n<em>De(s) Rives#2Art Takes Over the Market<\/em>, Galerie Aline Vidal on l\u2019\u00eele Saint-Louis, Paris, France<br \/>\n<em>Roppongi Crossing 2019: Connexions<\/em>, Mori Art Museum, Tokyo, Japan<br \/>\n<em>Souvenirs de Voyage<\/em>, Musee de Grenoble, Grenoble, France<br \/>\n<em>Singing in the rain<\/em>, R16 Bank Art, Yokohama, Japan<\/p>\n<p>2018<br \/>\n<em>De(s) Rives<\/em>, Galerie Aline Vidal on l\u2019\u00eele Saint-Louis, Paris, France<br \/>\n<em>L&#8217;envol ou le r\u00eave de voler, la maison rouge<\/em>, Fondation Antoine de Galbert, Paris, France<\/p>\n<p>2017<br \/>\n<em>Museum of Together<\/em>, Spiral by AIT, Tokyo, Japan<br \/>\n<em>Spring Fever<\/em>, Soko Komagome, SCAI the Bathhouse, Tokyo, Japan<\/p>\n<p>2016<br \/>\n<em>Hybridizing Earth, Discussing Multitude<\/em>, Busan Biennale, South Korea<br \/>\n<em>Matter Fictions<\/em>, Museu Colecao Berardo, Portugal<br \/>\n<em>Two Persons Show<\/em>, Gallery Hiramine, Tokyo, Japan<\/p>\n<p>2015<br \/>\n<em>Co-Workers: Beyond Disaster, Betonsalon<\/em>, Paris, France<br \/>\n<em>Invisible Energy<\/em>, St. Paul StGallery, Auckland, New Zealand<\/p>\n<p>2014<br \/>\n<em>Visions of Proximity<\/em>, SCAI The Bathhouse, Tokyo, Japan<br \/>\n<em>What\u2019s In and What\u2019s Not<\/em>, Anthony Reynolds Gallery, London, UK<br \/>\n<em>Unseen Daily Life<\/em>, Tokyo wonder site, Tokyo, Japan<\/p>\n<p>2013<br \/>\n<em>Interpenetrate<\/em>, Goyan Art Studio Gallery, Seoul, South Korea<\/p>\n<p>2012<br \/>\n<em>The Cosmos as Metaphor<\/em>, Hotel Ante Room Kyoto, Taka Ishii Gallery, London, UK<\/p>\n<p>2011<br \/>\n<em>Souvenirs<\/em>, Angus-Hughes Gallery, London, UK<br \/>\n<em>Quiet Attentions -Departure from WomenArt Tower Mito<\/em>, Ibaraki, Japan<\/p>\n<p>2010<br \/>\n<em>Shef-fish fuck<\/em>, Se-project, London, UK<\/p>\n<p>2009<br \/>\n<em>How to change your life in a day<\/em>, Galerie Aline Vidal, Paris, France<\/p>\n<p>2007<br \/>\n<em>Unmonumental: The Object in the 21stCentury<\/em>, New Museum, New York, USA<\/p>\n<p>2006<br \/>\n<em>Beauty and Beast<\/em>, Fieldgate Gallery, London, UK<br \/>\n<em>Dialogue<\/em>, Galleria Enrico Fornello, Prato, Italy<br \/>\n<em>Sculpture\/Object<\/em>, The Potteries Museum &amp; Art Gallery, Stoke-on -Trent , Hanley, UK<br \/>\n<em>Exhibition #1, Dreamworks<\/em>, Haas and Mayer, Gallery Zurich, Switzerland<\/p>\n<p>2005<br \/>\n<em>Bidibibodibiboo<\/em>, Fondazione Sandretto Re Rebaudengo, Torino, Italy<br \/>\n<em>This storm is what we call progress<\/em>, Arnolfini, Bristol, UK<br \/>\n<em>The Wonderful fund<\/em>, Marrakech Museum, Morocco<br \/>\n<em>Spot<\/em>, Unit Seven, London, UK<\/p>\n<p>2004<br \/>\n<em>Non Toccare La Donna Bianca \u2013Arte Contemporanea fra diversit\u00e0 e liberazione<\/em>, Fondazione Sandretto Re Rebaudengo, Torino, Italy<br \/>\n<em>Britannia Works<\/em>, Ileana Tounta Contemporary Art Centre &amp; Renos Xippas Gallery, Athens, Greece<br \/>\n<em>New Blood<\/em>, Saatchi Gallery, London, UK<\/p>\n<p>2003<br \/>\n<em>50 Biennale di Venezia<\/em>, Venice, Italy<br \/>\n<em>Dream and Confliction<\/em>, Clandestine, Venice, Italy<\/p>\n<p>2002<br \/>\n<em>Opening exhibition<\/em>, Anthony Reynolds Gallery, London, UK<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Born in Yokohama, Japan. Lives and works in Japan. With her intuitive use of materials, Tsuchiya builds delicate elements and layers that become part of the landscape that make up the entirety of an individual sculptural work. Tsuchiya\u2019s visual language re\ufb02ects her intense understanding of the characteristics of different materials. In her work she approaches [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"gp-artist.php","meta":{"inline_featured_image":false,"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-9671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/pages\/9671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/comments?post=9671"}],"version-history":[{"count":23,"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/pages\/9671\/revisions"}],"predecessor-version":[{"id":12045,"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/pages\/9671\/revisions\/12045"}],"wp:attachment":[{"href":"https:\/\/www.gregorpodnar.com\/cms\/wp-json\/wp\/v2\/media?parent=9671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}